Next Article in Journal
Can the Fetus Speak?: Revolutionary Wombs, Body Politics, and Feminist Philosophy
Previous Article in Journal
What Lies in the Gutter of a Traumatic Past: Infancia clandestina [Clandestine Childhood], Animated Comics, and the Representation of Violence
Previous Article in Special Issue
The Genealogy of an Image, or, What Does Literature (Not) Have To Do with the History of Computing? : Tracing the Sources and Reception of Gulliver’s “Knowledge Engine”
Open AccessEditorial

Further Reading

Comparative Media Studies/Writing, Massachusetts Institute of Technology, Cambridge, MA 02139, USA
Humanities 2018, 7(1), 23; https://doi.org/10.3390/h7010023
Received: 7 March 2018 / Revised: 8 March 2018 / Accepted: 8 March 2018 / Published: 9 March 2018
(This article belongs to the Special Issue The Poetics of Computation)
Note: In lieu of an abstract, this is an excerpt from the first page.

It is clear that the contributions in this volume are not only insightful, but also wide-ranging, reaching into popular culture and across different media forms and practices.[...] View Full-Text
Keywords: interactive fiction; Twitter bots; computer-generated novels; performance interactive fiction; Twitter bots; computer-generated novels; performance
MDPI and ACS Style

Montfort, N. Further Reading. Humanities 2018, 7, 23. https://doi.org/10.3390/h7010023

AMA Style

Montfort N. Further Reading. Humanities. 2018; 7(1):23. https://doi.org/10.3390/h7010023

Chicago/Turabian Style

Montfort, Nick. 2018. "Further Reading" Humanities 7, no. 1: 23. https://doi.org/10.3390/h7010023

Find Other Styles
Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Access Map by Country/Region

1
Search more from Scilit
 
Search
Back to TopTop