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Cinematic Amnesia as Remembering: Coming Home (2014) and Red Amnesia (2014)

Department of World Languages and Cultures, University of Nevada, Las Vegas, NV 89154-5047, USA
Received: 29 September 2018 / Revised: 5 November 2018 / Accepted: 16 November 2018 / Published: 21 November 2018
(This article belongs to the Special Issue Memory, Affect, and Cinema)
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This article examines the trope of amnesia—the crisis of memory—in two recent Chinese-language films dealing with traumatic memories of the Cultural Revolution and its aftermath: Zhang Yimou’s Coming Home (Guilai, 2014) and Wang Xiaoshuai’s Red Amnesia (Chuangru zhe, 2014). Cinematic representation of real and symbolic amnesia, I argue, can be an affective way to overcome historical amnesia, both institutionalized by the Party-state and privatized by individuals. By exploring the dynamics between forgetting and remembering at both collective and individual levels, we can reach a deeper understanding of the profound impact of the Cultural Revolution and its present-day repercussions. View Full-Text
Keywords: amnesia; China; the Cultural Revolution; memory; trauma amnesia; China; the Cultural Revolution; memory; trauma
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).

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Bao, Y. Cinematic Amnesia as Remembering: Coming Home (2014) and Red Amnesia (2014). Arts 2018, 7, 83.

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