Search Results (8)

In most of the twentieth century, the Enlightenment was seen as a time when religious belief was incompatible with Enlightenment values of reason, toleration, and science. David Sorkin maintains that many religious Protestants, Catholics, and Jews emphasized toleration and reason while participating in the secular public sphere. Sorkin asserts that these people were part of the religious Enlightenment. This article focuses on a group of ten English deists who identified themselves as deists, claimed to be Christian, and devoted their writings to explaining their concept of true Christianity. This article argues that these ten deists, whom I label “Jesus-centered deists”, were much more religious than other deists. Like the Protestants, Catholics, and Jews that Sorkin considers part of the religious Enlightenment, these deists emphasized toleration and used reason to defend their conception of God and genuine Christianity. Furthermore, these deists participated in discussions in the public sphere about secular Enlightenment concerns. Unlike stereotypical Enlightenment deists, these Jesus-centered deists did not believe in an inactive and impersonal God. Instead, they believed in a loving and kind God who performed miracles and made revelations. They also emphasized developing a closer relationship with God through prayer. These deists should be included in the religious Enlightenment. Full article

The persistence of anti-Jewish and antisemitic stereotypes throughout history, from medieval times to the present, reveals the enduring power of visual and cultural narratives in shaping public perceptions of Jews. This paper examines how Yvan Attal’s film Ils sont partout effectively satirizes these stereotypes, exposing their absurdity and the dangers of such ingrained prejudices. By connecting modern satire to historical instances of antisemitism, this study emphasizes the necessity of challenging and critically analyzing these harmful depictions. While the forms of anti-Jewish and antisemitism evolve over time, the underlying biases remain disturbingly consistent across cultures and eras. Full article

Danielle Abrams’s performance art critically engages with late twentieth-century debates on race, queerness, and identity, positioning her as a vital figure in challenging monolithic and heteronormative structures of identity. Her early work Quadroon (1998), a live performance and four-channel video installation blending music, costume, gesture, and speech, compounds impassioned debates within the art world and beyond around the impact of multiculturalism on identity-based art, the invisibility of Jews of color and other marginalized members of the Jewish community, and the state of Black/Jewish relations in the United States following the Crown Heights riots of 1991. Abrams’s pieces frequently negotiate the tensions and intersections between her Black and Jewish familial heritage and her lesbian identity through the embodiment of semi-fictional personae grounded in family lore, self-perceptions, and cultural stereotypes. This paper explores how Abrams destabilizes the readability of “authentic” identities on the surface of the body in Quadroon via her adoption of personifications of her Black grandmother, her Jewish great grandmother, her identification as a butch lesbian, and her (unsuccessful) teenage attempt at passing for Greek. Pairing video recordings of each character with interludes from an unpublished performance script, I consider the anxieties of passing expressed in the personas of Dew Drop and Janie Bell, and through the lens of Abrams’s diaries, pose Butch in the Kitchen’s potential as an indefinite body to queer socially imposed constructions of monolithic and essentialist identity. Full article

This paper examines the depiction of Jewish and Christian merchants in the medieval English Host miracle play, the Croxton Play of the Sacrament. This play is a critical illustration of religious racialization, effectively demonstrating the perpetuation of anti-Jewish stereotypes and legitimizing violence. Positioned within a broader scholarly debate, particularly in relation to Augustine’s doctrine of Jewish witness, the play portrays Jews as allegorical figures that validate Christian theological constructs. This paper delves into the representation and linguistic depiction of Jewish characters in the play, emphasizing their systematic dehumanization and instrumentalization in Christian narratives. A significant focus is placed on the coerced conversion of Jewish characters, which forces them into the archetype of the “Wandering Jew”, thereby highlighting motifs of symbolic aggression and unending diaspora. This paper also confronts contemporary scholarly perspectives that view the play as challenging religious boundaries, positing that such interpretations overlook the ingrained racialization and marginalization of Jewish identity during the European Middle Ages. It argues that the play’s transient disruption of power dynamics ultimately reinforces prevailing social hierarchies, thereby solidifying deep-seated anti-Jewish sentiments. Full article

The study focuses on changes of surnames among Czech and Moravian Jews. The changes are tracked until the start of the German occupation in 1939. The source material is comprised of Jewish birth registers from 1867 to 1918 from Prague, as this was the most populous Jewish community of the region. These records are part of fund No. 167 stored in the Czech National Archive. More than 17,000 Jewish children were born in Prague during this period and only 350 of them changed their surnames. Surnames were mostly changed by young men under the age of 30. A large wave of renaming occurred mainly at the beginning of the 1920s shortly after the formation of Czechoslovakia (1918). Renaming was part of the assimilation process but was not connected to conversion to Christianity. The main goal was the effort to remove names perceived as ethnically stereotypical, which could stigmatize their bearers (e.g., Kohn, Löwy, Abeles, Taussig, Goldstein, etc.). Characteristic of the new surnames was the effort to preserve the same initial letter from the original surname. The phenomenon is compared with the situation in neighboring countries (Germany, Hungary, and Poland). Full article

Background and Objectives: The first inquisitorial processes were developed against Muslims and Jews. Then, they focused on women, especially those dedicated to care. Progressively, they were linked to witchcraft and sorcery due to their great assistance, generational and empirical knowledge. The health historiography of the 15th–18th centuries still has important bibliographic and interpretive gaps in the care provided by women. The main objective was to analyse the care provided by midwives in the legislative and socio-sanitary context of New Castile, in the inquisitorial Spain of the 15th–18th centuries. Materials and Methods: A historical review was conducted, following the Dialectical Structural Model of Care. Historical manuals, articles and databases were analysed. Results: The Catholic Monarchs established health profession regulations in 1477, including midwives. However, all legislations were annulled by Felipe II in 1576. These were not resumed until 1750. Midwives assumed a huge range of functions in their care commitment (teaching, care and religion) and were valued in opposing ways. However, many of them were persecuted and condemned by the Inquisition. They used to accompany therapeutic action with prayers and charms. Midwives were usually women in a social vulnerability situation, who did not comply with social stereotypes. Conclusions: Midwives, forerunners of current nursing and health sciences, overcame sociocultural difficulties, although they were condemned for it. Midwives achieved an accredited title, which was taken from them for two centuries. They acted as health agents in a society that demanded them while participating in a “witch hunt”. Full article

This article argues that Franz Theodor Csokor’s three-act drama, Dritter November 1918: Ende der Armee Österreich-Ungarns (Third of November 1918: End of the Army in Austria-Hungary) reveals how Jewish difference played an important—if often unrecognized—role in the shaping the terms of Austrian patriotism in the years leading up to 1938. Portrayals of Habsburg loyalty as “Jewish” or “not Jewish” helped articulate how nostalgia for Austria-Hungary would figure in a new sense of Austrianness, a project that took on even more urgency under the authoritarian censors of the Ständestaat. While the play’s portrayal of a Jewish doctor as level-headed, peace-loving, and caring countered some egregious antisemitic stereotypes about disloyal and sexually perverted Jews, it also suggested that Jews were overly rational, lacking in emotional depth, and, ultimately, unable to embody a new Catholic, spiritual, Austrian patriotic ideal. Considered in its broader political context, and along with Csokor’s earlier unpublished drama Gesetz, the play reveals how labelling Habsburg loyalty as Jewish helped to clarify and critique the nature of what it meant to be Austrian under an authoritarian regime that promoted a pro-Catholic, anti-Nazi vision of Austrian patriotism. It also offers a prime example of how even anti-antisemitic authors like Csokor perpetuated negative stereotypes about Jews, even as they aimed to present them in a more positive light. Full article

Research on racial residential segregation has paid little attention to the role that social institutions play in either isolating or integrating racial and ethnic groups in American communities. Scholars have argued that racial segregation within American religion may contribute to and consolidate racial division elsewhere in social life. However, no previous study has employed national survey data to examine the relationship between religious affiliation and the preferences people have about the racial and ethnic composition of their neighborhoods. Using data from the “Multi-Ethnic United States” module on the 2000 General Social Survey, this study finds that white evangelical Protestants have a significantly stronger preference for same-race neighbors than do Catholics, Jews, adherents of “other” faiths, and the unaffiliated. Group differences in preferences are largely accounted for by socio-demographic characteristics. Negative racial stereotyping and social isolation from minorities, both topics of interest in recent research on evangelical Protestants and race, fail to explain group differences in preferences. Full article