Sign in to use this feature.

Years

Between: -

Subjects

remove_circle_outline
remove_circle_outline
remove_circle_outline

Journals

Article Types

Countries / Regions

Search Results (2)

Search Parameters:
Keywords = mythopoesis

Order results
Result details
Results per page
Select all
Export citation of selected articles as:
15 pages, 311 KB  
Article
Bensaïd’s Jeanne: Strategic Mythopoesis for Difficult Times
by Bryan Smyth
Philosophies 2023, 8(1), 12; https://doi.org/10.3390/philosophies8010012 - 31 Jan 2023
Cited by 1 | Viewed by 2693
Abstract
In this essay, I consider the significance of Daniel Bensaïd’s work on Jeanne d’Arc with regard to dealing with the “difficult times” in which we live. (1) I first consider some of the background in early critical theory in order to show that [...] Read more.
In this essay, I consider the significance of Daniel Bensaïd’s work on Jeanne d’Arc with regard to dealing with the “difficult times” in which we live. (1) I first consider some of the background in early critical theory in order to show that Bensaïd’s aim to recover Benjamin’s notion of a “weak messianic power” requires following through with Horkheimer and Adorno’s critique of enlightenment, and that this implies a critical rehabilitation of myth and mythopoesis. (2) Approaching Bensaïd’s account of Jeanne in the light of Blumenberg’s notion of “work on myth”, I show how he portrays her in a way that establishes a concrete connection between the discordant temporalities of contingency and necessity, but that this is best understood in the radically immanent terms of prereflective embodied action as based on the corporeal sedimentation of an intercorporeal ethical habitus. Bensaïd’s account of Jeanne thus offers a new lens of historical perception that can help reveal otherwise hidden possibilities for transformative historical agency in embodied coexistence today. (3) By way of conclusion, I briefly consider the deeper meaning and significance of this in terms of offering a non-Promethean mythico-political framework. Full article
(This article belongs to the Special Issue Current French Philosophy in Difficult Times)
23 pages, 89453 KB  
Article
The Unknown Carnival of Terceira Island (Azores, Portugal): Community, Heritage, and Identity on Stage
by Andrea Mattia Marcelli, Francisco Sousa, Josélia Fonseca, Leonor Sampaio da Silva, Marxiano Melotti and Susana Goulart Costa
Sustainability 2022, 14(20), 13250; https://doi.org/10.3390/su142013250 - 14 Oct 2022
Viewed by 6186
Abstract
Terceira Island hosts a Carnival that enjoys unique features in the landscape of European folklore. It involves a major share of the resident population, it takes place on stages scattered all over the island, and it involves a blend of dancing, music, and [...] Read more.
Terceira Island hosts a Carnival that enjoys unique features in the landscape of European folklore. It involves a major share of the resident population, it takes place on stages scattered all over the island, and it involves a blend of dancing, music, and acting. This paper presents the preliminary results of a collaborative project between native and foreign scholars, with the activist goal of providing Terceira’s Carnival with visibility in order to ensure its preservation. Documentary evidence and fieldwork activities undertaken in 2020 provide grounds to interpret Terceira’s Carnival as a multi-modal endeavour that nurtures social cohesion through mythopoesis, subversion of hegemonic roles, and the distribution of leadership to folk elites. As such, we argue that Terceira’s Carnival does not fit traditional scholarly views on European Carnivals. Additionally, we show that, thanks to its ability to trigger identity-making processes, this Carnival is a case for cultural sustainability: in fact, it ensures the preservation of communal bonds in face of changing global and regional social landscapes. Full article
Show Figures

Figure 1

Back to TopTop