Sign in to use this feature.

Years

Between: -

Subjects

remove_circle_outline

Journals

Article Types

Countries / Regions

Search Results (1)

Search Parameters:
Keywords = early art brut painting

Order results
Result details
Results per page
Select all
Export citation of selected articles as:
61 pages, 27945 KiB  
Article
“More than Just a Poet”: Konstantin Batiushkov as an Art Critic, Art Manager, and Art Brut Painter
by Igor Pilshchikov
Arts 2022, 11(6), 126; https://doi.org/10.3390/arts11060126 - 14 Dec 2022
Viewed by 3857
Abstract
This paper focuses on the Russian Golden Age author Konstantin Batiushkov’s involvement with fine arts. He is recognized as an exquisite elegist, an immediate predecessor of Alexander Pushkin in poetry, and “a pioneer of Russian Italomania.” Much less known is that Batiushkov was [...] Read more.
This paper focuses on the Russian Golden Age author Konstantin Batiushkov’s involvement with fine arts. He is recognized as an exquisite elegist, an immediate predecessor of Alexander Pushkin in poetry, and “a pioneer of Russian Italomania.” Much less known is that Batiushkov was always deeply involved with painting, drawing, and sculpture—not only as a poet but as Russia’s first art critic, an ad-lib art manager, who worked on behalf of the President of the Russian Academy of Arts Aleksei Olenin, and an amateur artist. The paper offers addenda to the commentary on his essay devoted to the 1814 academic exhibition, commonly referred to as the earliest significant example of Russian art criticism. Many of Batiushkov’s extant paintings and drawings belong to the time when he was mentally insane. Since he was a self-taught artist, his visual works of this period can be categorized as early examples of art brut. Full article
(This article belongs to the Special Issue Slavic and Eastern-European Visuality: Modernity and Tradition)
Show Figures

Figure 1

Back to TopTop