Search Results (4)

This paper investigates digital comics—particularly webcomics and webtoons—as emerging forms of cultural heritage, analyzing their exponential global influence alongside the limitations of traditional heritage frameworks in systematically preserving them. The UNESCO heritage model, rooted in concepts of physical fixity and authenticity, is shown as inadequate for born-digital works like comics, which derive meaning from technological infrastructure, dynamic platforms, and ongoing community interaction rather than static material forms. Drawing on heritage futures and digital materiality theories, the authors argue that digital comics exemplify "temporal authenticity," evolving through continual transformation and algorithmic curation. The paper details how platform recommendation systems and analytics directly shape which comics achieve cultural visibility and preservation, while community-driven initiatives—such as The Flashpoint Archive—demonstrate effective models for holistic, grassroots digital preservation beyond institutional reach. Ultimately, the study calls for new theoretical and practical approaches to heritage, recognizing digital comics as both cultural artifacts and dynamic, platform-specific vernacular expressions. Full article

This study investigates how born-digital memes about high-profile events can serve as rich archival resources for understanding contemporary cultural phenomena and public sentiment by using a linked-data framework. Using a mixed-method approach, this study analyzes memes from a high-profile trial through web scraping and linked-data structures to map themes, sentiments, and cultural references. The linked-data frame includes data collection and integration, semantic web technologies, ontology development, and API data access. The findings point to dominant narratives and shifting sentiment, which further illustrate how such memes reflect and contribute to the polarization of the societal discourse concerning the event. This research is relevant for understanding digital culture, exploring the archival potential of born-digital materials, and assessing the dynamics of public opinion in widely publicized cases. By showing the efficiency of linked data methodologies in the analysis of born-digital discourse, we add valuable insights to both digital humanities and social sciences, offering a new approach of studying ephemeral online content as cultural artifacts. Full article

The linguistic and social impact of multiculturalism can no longer be neglected in any sector, creating the urgent need of creating systems and procedures for managing and sharing cultural heritages in both supranational and multi-literate contexts. In order to achieve this goal, text sensing appears to be one of the most crucial research areas. The long-term objective of the DigitalMaktaba project, born from interdisciplinary collaboration between computer scientists, historians, librarians, engineers and linguists, is to establish procedures for the creation, management and cataloguing of archival heritage in non-Latin alphabets. In this paper, we discuss the currently ongoing design of an innovative workflow and tool in the area of text sensing, for the automatic extraction of knowledge and cataloguing of documents written in non-Latin languages (Arabic, Persian and Azerbaijani). The current prototype leverages different OCR, text processing and information extraction techniques in order to provide both a highly accurate extracted text and rich metadata content (including automatically identified cataloguing metadata), overcoming typical limitations of current state of the art approaches. The initial tests provide promising results. The paper includes a discussion of future steps (e.g., AI-based techniques further leveraging the extracted data/metadata and making the system learn from user feedback) and of the many foreseen advantages of this research, both from a technical and a broader cultural-preservation and sharing point of view. Full article

The Canadian Centre for Architecture (CCA) in Montreal started to receive born digital material in the late 1990s. Not knowing what to do with it, typically only the physical appearance was described. Since 2012, the CCA has seriously started to look into its born digital collections and actively started to acquire more. CCA was not very interested in how to overcome the technocratic question as to how to preserve and give access to born digital material, but wanted to understand how the digital technology has changed and shaped architecture. The curatorial approach and the investment in staff and expertise led to success: the CCA is now able to preserve its born digital collections, to describe it, to access nearly all files, to make it accessible for research, and to share this with the community. How? By just doing it, making mistakes, and learning by doing. Full article