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Keywords = Ri Koran

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8 pages, 220 KiB  
Article
Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
by Griseldis Kirsch
Arts 2019, 8(4), 153; https://doi.org/10.3390/arts8040153 - 21 Nov 2019
Cited by 1 | Viewed by 4158
Abstract
This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the [...] Read more.
This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona. Full article
(This article belongs to the Special Issue Japanese Transnational Cinema)
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