Search Results (3)

This article offers a description and critical reflection upon two recent exhibits on display at the National Museum of African American History and Culture (NMAAHC): Spirit in the Dark: Religion in Black Music, Activism, and Popular Culture and Afrofuturism: A History of Black Futures. The article explores the interplay of mutually reinforcing themes of faith, freedom, and futurity that emerge when examining the exhibits together. This article also demonstrates the public significance of the curation of religion and culture in museums and other cultural spaces beyond the academy and religious institutions. It further shows how religion becomes a site of critical meditation upon and creative manifestation or materialization of Black futures. As such, this article contributes to more expansive discourses on the interplay between Black studies and the study of religion. Full article

This paper uses Stephen Best’s None Like Us and Charles H. Long’s Significations: Signs, Symbols, and Images in the Interpretation of Religion to redescribe the notion of sacred space in light of the national African American museum. After highlighting religion and the museum’s mutual Romantic origins, it underscores the invisible institution of slave religion as a modern counterpoint that is harrowingly evocative of the indeterminacy of human meaning-making. The national African American museum, represented by offerings from the Smithsonian Institution and the Equal Justice Initiative, operates as a social technology for working through the tensions of history. “Hallowed Haunts” examines its function as a matrix of haunting, where a variety of multi-sensory experiences lead visitors into a participatory reckoning with the legacy of slavery, one through which they determine how to face the challenges and potential opportunities that await them. As such, the national African American museum exemplifies Long’s thesis of sacred space as human centers, a metonym for the places humans visit for orientation. Full article

The Black Lives Matter movement has become one of the most visible, controversial, and impactful campaigns to address racialized violence and discrimination in the 21st century. Activists within the movement join traditional forms of social protest and policy development with rituals and spiritual practices, drawing upon spiritual resources as a source of transformation and empowerment. The transformative aims of Black Lives Matter and other contemporary African American justice movements address critical areas for reform, like criminal justice, education, and public health, but their vision for reform is broad and extensive, envisioning the creation of a more just world. As such, the physical context for African American life—the buildings and public spaces known as the built environment—is a crucial aspect of social transformation. This essay examines the spirituality of Black Lives Matter and other contemporary African American justice movements and considers how it inspires the ongoing transformation of buildings and public spaces. By analyzing the spiritual practices and themes in the Black Lives Matter movement as described by its founders, this paper identifies three principles and relates them to similar concepts in African American religious thought, womanist ethics, and ecowomanism. Applying these three spiritual principles—liberation, inspiration, and healing—to the design of architecture and public spaces can enrich and affirm African American life. Appealing to the Smithsonian’s National Museum of African American History and Culture as an example, this paper articulates the possibilities of architectural projects to symbolically and practically support liberative goals in African American religious systems and political movements. Full article