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Keywords = Les Misérables

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15 pages, 295 KB  
Article
Lessons from Shawshank: Outlaws, Lawmen and the Spectacle of Punishment
by Benjamin Boyce
Humanities 2023, 12(1), 10; https://doi.org/10.3390/h12010010 - 12 Jan 2023
Viewed by 5911
Abstract
For more than a century, cinema has offered a rich source of images and narratives about crime and punishment. Unfortunately, the restricted nature of correctional environments and the social stigma surrounding incarceration leave most viewers reliant on media representations for the majority of [...] Read more.
For more than a century, cinema has offered a rich source of images and narratives about crime and punishment. Unfortunately, the restricted nature of correctional environments and the social stigma surrounding incarceration leave most viewers reliant on media representations for the majority of their knowledge about correctional spaces. In most media representations of crime and punishment, outlaws and lawmen are reduced to stereotypical archetypes, and incarcerated characters are some of the evilest villains one will ever encounter. Moreover, the prison environment is painted as a playground for bad behavior, as penance for redeemable outlaws, or as an outright paradox that claims to reduce criminality despite appearing to increase it. Our uncritical acceptance of such characterizations goes hand in hand with our cultural addiction to mass incarceration. Limitless stories about uncontainable monsters perpetrating awful crimes inside cushy taxpayer funded facilities endorse a worldview where a permanently expanding and harshening prison system is vital to the safety of a functioning society. In short, our reliance on the spectacle of punishment has left us woefully and willfully misinformed about prison and those who wind up there. Full article
(This article belongs to the Special Issue Twentieth-Century American Literature)
23 pages, 398 KB  
Article
Theist–Atheist Encounters in Les Misérables, The Brothers Karamazov, and The Plague
by Peter Admirand
Religions 2021, 12(1), 12; https://doi.org/10.3390/rel12010012 - 24 Dec 2020
Cited by 2 | Viewed by 7316
Abstract
Turning to the novels, Les Misérables, The Brothers Karamazov, and The Plague, this article focuses on theist–atheist encounters within fiction as guides and challenges to contemporary atheist–theist dialogue. It first provides a discussion of definitions pertinent to our topic and [...] Read more.
Turning to the novels, Les Misérables, The Brothers Karamazov, and The Plague, this article focuses on theist–atheist encounters within fiction as guides and challenges to contemporary atheist–theist dialogue. It first provides a discussion of definitions pertinent to our topic and a reflection on the value and limitations of turning to fiction for the study and development of theist–atheist dialogue specifically, and interreligious dialogue more broadly. In examining each of the novels, I will first provide a very brief historical context of when each novel was written, the time and place the covered scenes transpire in the novel, and the authors’ positions toward religion(s) when writing their books. I will close the article on some lessons to glean from these fictional dialogues for contemporary theist–atheist dialogue. Full article
(This article belongs to the Section Religions and Theologies)
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