Search Results (2)

Much scholarly attention has been paid to The Visitation group housed at The Metropolitan Museum of Art. The sculpture, dated between 1310 and 1320 and attributed to Master Heinrich of Constance, comes from the Dominican convent of St. Katherinental, in present-day Switzerland, and is notable for its two rock crystal cabochons embedded in the wombs of the Virgin Mary and Elizabeth. In this paper, I support and substantiate the original inclusion of the two stones in the artwork, arguing that it was conceived in close connection with the mystical doctrine on inner vision and the Eternal Birth of God within the soul, as theorized by the Dominican theologian Meister Eckhart (1260–1328). Considering the role of vision in medieval spirituality, the rock crystals, as symbols of purity and divine illumination, functioned as pivotal tools in the mystical experience of Katherinental nuns, fostering their profound spiritual connection with the divine. This article provides a fresh and in-depth analysis of the iconological essence of The Visitation in the Met, incorporating notions established in the field of sensory studies together with methods developed in visual and material culture studies. Full article

Medieval nuns and anchorites (recluses) were spiritually and economically bound to pray for the dead, no matter their feelings towards the departed, who frequently appear to them in visions. This article charts medieval enclosed women’s attempts to intervene in this economy by forgetting souls. Staging a generative conversation between medieval women’s writings and Marcella Althaus-Reid’s (1952–2009) ‘indecent theology’ (queer liberation theology), this essay scrutinizes medieval female-authored texts for indecent forgetting (socially and economically disruptive forgetting). It juxtaposes a Middle English visionary text, A Revelation of Love by anchorite Julian of Norwich (1342/1343–c. 1416), with the mid-fourteenth-century Middle High German sister-book (compilation of nuns’ lives) of the Dominican convent of St Katharinental in Diessenhofen (in present-day Switzerland) and the early sixteenth-century Middle Dutch sister-book of Diepenveen (in the present-day Netherlands), originating from a Devotio Moderna convent of Augustinian canonesses regular. Heeding Althaus-Reid’s call, it dissects how forgetting unsettles systems of sanctioned spiritual and economic exchanges. I first examine how the sister-books forget certain souls and define their own terms for their participation in this system. I then turn to how Julian enlists all believers for her intercessory duties but also misplaces souls. Throughout, this article considers how these texts prise open space for medieval women within indecent theology. Ultimately, it illustrates how medieval women’s negotiations of their economic conditions supply a fertile ground for considering larger concerns of defiance, community, and the charity that binds together the living and the dead. Full article