Search Results (7)

Writers on the semiology of Cubism have often cited Daniel-Henry Kahnweiler’s 1946–48 descriptions of Cubism as a form of writing. They seem, however, to have overlooked Pablo Picasso’s 1945–48 statements about art as a sign language. The first section of this essay argues that Kahnweiler was in fact inspired by Picasso’s statements. The second section retraces the origins of semiology in nineteenth-century philology, its revival by Claude Levi-Strauss, his influence on critical theory, the rise of a semiological interpretation of Cubism, and the problems with this interpretation. The third section links Picasso’s 1945–48 statements about art as a sign language to his contemporary visual work; specifically, to his illustrations for Pierre Reverdy’s book of poems Le Chant des morts. The idea of art as a sign language is traced to Picasso’s 1924 drawings of “star charts” or “constellations”. However, Picasso’s 1945–48 designs using a similar vocabulary are analyzed as signifiers without signifieds—that is, as symbols, rather than signs. Full article

In Rupea area, in central Romania, Romanians, Saxons, Magyars and Roma people live. Their traditional ethnic cuisines represent intangible cultural heritage resources. In a qualitative research based on semi-structured interviews with respondents from all four ethnicities, we identified the dishes, spices and tastes considered representative by them through thematic analysis. We compared ethnic gastronomic characteristics using doublets of gustemes, based on Claude Lévi-Strauss’ model, and highlighted the touristic potential of serving the soups of all ethnic groups as a common touristic package. The comparison highlighted similarities due to the dependence of all locals on indigenous food resources, but also differences due to the different propensity to capitalize on spontaneous flora or to adopt Austro-Hungarian influences. The soups, with their similarities and differences, are gastronomic reflections of the historical status and the long coexistence of the ethnic groups in Transylvania. The touristic capitalization of soups as an intangible cultural heritage resource can become a source of income for local people, contributing to the strengthening of local identity and the sustainable development of the area. It is supported by social entrepreneurship tourism and the consolidation of local networks of producers. In addition, ethnic soups can also be used as a quick and effective lunch option for assisted elderly people, students or busy employees. Full article

Japanese American writer Karen Tei Yamashita’s first novel, Through the Arc of the Rainforest (1990), portrays protagonist Kazumasa Ishimaru as “a Japanese Santa Claus”, depicted as having a plastic ball spinning in front of his face. Yamashita presents this magic realist hero as a satire of Japan in the 1990s, which became the developed nation needed to support the developing world under the new Marshall Plan. Focusing on Kazumaza’s participation in charity, this essay explores the gift economy embodied by this Japanese immigrant character. Inspired by Claude Lévi-Strauss’s 1952 essay “Burned-out Santa Claus”, Kazumasa’s Nikkei subject position not only criticizes American capitalism but also Brazil’s postcolonial mentality. Supporting the idea that Lévi-Strauss sympathizes with Jean-Jacques Rousseau’s concept of innocence, the last part of the essay probes the idea of Kazumasa as an innocent subject who challenges the dichotomy between American capitalism and postcolonial Brazil. Full article

This study offers a new approach for studying biblical myth in two directions: first, by expanding the scope of investigation beyond the clearly mythological elements to other areas of biblical literature, and second, by drawing comparisons to classical Chinese literature. This article thus reconsiders the relationship between myth and history in both biblical and Chinese literature, while seeking to broaden the endeavor of the comparative method in biblical studies. Two examples are offered: (1) the story of Moses’s call narrative and his relationship with Aaron in Exodus in light of the story of Xiang Liang and Xiang Ji in the Shiji; (2) the story of Saul and David in 1 Samuel compared with the story of Dong Zhuo and Lü Bu in the Romance of the Three Kingdoms. Both comparisons demonstrate the operation of Claude Lévi-Strauss’s inversion principle. Conclusions regarding each of these literatures are presented separately, followed by cross-cultural insights and shared aspects in the study of myth, historiography, and religion. Full article

This paper presents a modeling and simulation approach in order to perform a generative analysis of folktales aimed at validating Claude Lévi-Strauss’ theory and method. To this aim, a discrete-event simulation is proposed. The simulation is based on the development of a set of discrete-event models dedicated to generating a set of folktales from an initial one, according to Claude Lévi-Strauss’ structural analysis based on symmetry and double twist transformations. This paper describes in detail how these discrete-event models have been implemented in the framework of the DEVSimPy software environment by using myths of Native American mythology and folktales of Corsican oral literature. The validation involved the following steps: (i) definition of a reference folktale (according to Claude Lévi-Strauss’ methodology) (ii) generation of a set of folktales by performing their own transformations (iii) generation of a graph allowing to analyze the links that have been created after performing a set of folktales transformations. Finally, the computational validation of Lévi-Strauss’s method is intended to ground a new research that may reformulate structural analysis and elaborate a neo-structural model of canonical formalization based on transformational morphodynamics. The aim is to conceptualize and measure recursively the structural dynamics and the recurrent patterns of current identity transformations in liberal democracies, especially in US and EU contexts where ethnic/racial divisions and migration challenges are becoming more acute than ever. Full article

While the work of the Italian historian of religion, Ernesto de Martino (1908–1965), has frequently been compared to that of Mircea Eliade, Claude Lévi-Strauss, or Clifford Geertz, he has hardly received any attention in anglophone scholarship to date. Taking an all-but-forgotten controversy between de Martino and Eliade at a conference on parapsychology in France in 1956 as its starting point, the article fills part of this lacuna by first reconstructing the philosophical universe underlying the Italian thinker’s program of study. In the process, it introduces the reader to three Weimar scientists, who have never before been inserted within the canon of the study of religion, namely the parapsychologist Albert von Schrenck-Notzing (1862–1929), the anthropologist Leo Frobenius (1873–1938), and the biologist and philosopher Hans Driesch (1867–1941). Contextualizing these thinkers within their historical context, it becomes clear that they were part of a larger scientific crisis that affected the Western world during the first half of the twentieth century. Finally, the article uncovers surprising affinities, particularly the fact that the Romanian thinker had his very own parapsychological phase during his youth. Full article