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Keywords = Brazilian Noigrandes Group

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21 pages, 694 KiB  
Article
An Archeology of Fragments
by Gerald L. Bruns
Humanities 2014, 3(4), 585-605; https://doi.org/10.3390/h3040585 - 24 Oct 2014
Viewed by 7860
Abstract
This is a short (fragmentary) history of fragmentary writing from the German Romantics (F. W. Schlegel, Friedrich Hölderlin) to modern and contemporary concrete or visual poetry. Such writing is (often deliberately) a critique of the logic of subsumption that tries to assimilate whatever [...] Read more.
This is a short (fragmentary) history of fragmentary writing from the German Romantics (F. W. Schlegel, Friedrich Hölderlin) to modern and contemporary concrete or visual poetry. Such writing is (often deliberately) a critique of the logic of subsumption that tries to assimilate whatever is singular and irreducible into totalities of various categorical or systematic sorts. Arguably, the fragment (parataxis) is the distinctive feature of literary Modernism, which is a rejection, not of what precedes it, but of what Max Weber called “the rationalization of the world” (or Modernity) whose aim is to keep everything, including all that is written, under surveillance and control. Full article
(This article belongs to the Special Issue New Encounters between Literature and Philosophy)
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