Search Results (5)

The figure of the child is one that, at least in the Westernised imagination, is entangled with notions of innocence, naivety, and freedom. But what of the child who is unfree, who has been stripped of innocence, and for whom naivety is a danger? One expression of this iteration of the figure of the child is the child soldier, which has been a centralising figure in various narratives set during and concerned with African experiences of warfare. This paper is concerned with the figure of the child soldier as it is staged in both Edward Zwick’s Blood Diamond (2006) and Cary Joji Fukunaga’s filmic adaptation of Uzodinma Iweala’s novel, Beasts of No Nation (2015). In turning to Ashis Nandy’s articulation of the tension held within “the child” as being both emblematic of a fantasy of childhood produced by adult nostalgia—hopeful, joyous and free—and always potentially dangerous, this paper pivots the notions of soldiering and slaving on and around the child as a figure. In doing so, the paper asks what it might mean to think of the condition of being a child soldier as being akin to that of being a child slave, weaponised for political and economic ends. Full article

The United Nations Model Tax Convention between Developed and Developing Countries (UN MTC) Article 26 charts out an exchange of information (EOI) regime “between developed and developing countries”, feigning that it is more favorable to the latter set of nations. Contrarily, the Organization for Economic Cooperation and Development (OECD) MTC Article 26, is professedly geared to protect and promote interests of OECD members—“the club of the rich”. Even a cursory comparative look at the two MTCs intriguingly reveals a lack of dissimilarities, and irresistibly leads to the conclusion that, materially, both provisions are identical. The situation gives rise to a paradox, whereby developing countries that are completely at different levels of development have broken governance structures, convoluted fiscal and criminal justice systems, and struggling tax administrations, and have been yoked into a multilayered EOI regime, which stemmed from an intra-OECD statecraft imperative, and is pre-dominantly beneficial to developed countries. The new normal contributes towards enhancement and deepening of the embedded inequities in the neocolonial economic order. The paper seminally dissects the strains generated by absence of dissimilarities between the two MTCs vis-à-vis Article 26, and posits that, in fact, this fundamentally being a developed country project, developing countries have been exploited as ‘beasts of burden’ merely to promote the economic interests of dominant partners in the relationship, and by doing so, sheds light on and galvanizes the unjustness latent in the international taxes system—an inherently unequal and lopsided affair. It also delves deeper into an axiological normative evaluation of the extant EOI regime, and finding it untenable, urges a larger paradigm shift. In fact, the UN’s meek convergence with the OECD on EOI regime, ditching developing countries and leaving them to fend for themselves in this critical area of international taxation, is the scarlet thread of the paper. Full article

Worldwide, infections by influenza viruses are considered a major public health challenge. In this study, influenza B vaccine mismatches and clinical aspects of Victoria and Yamagata infections in Brazil were assessed. Clinical samples were collected from patients suspected of influenza infection. In addition, sociodemographic, clinical, and epidemiological information were collected by the epidemiological surveillance teams. Influenza B lineages were determined by real-time RT-PCR and/or Sanger sequencing. In addition, putative phylogeny–trait associations were assessed by using the BaTS program after phylogenetic reconstruction by a Bayesian Markov Chain Monte Carlo method (BEAST software package). Over 2010–2020, B/Victoria and B/Yamagata-like lineages co-circulated in almost all seasonal epidemics, with B/Victoria predominance in most years. Vaccine mismatches between circulating viruses and the trivalent vaccine strains occurred in five of the eleven seasons (45.5%). No significant differences were identified in clinical presentation or disease severity caused by both strains, but subjects infected by B/Victoria-like viruses were significantly younger than their B/Yamagata-like counterparts (16.7 vs. 31.4 years, p < 0.001). This study contributes to a better understanding of the circulation patterns and clinical outcomes of B/Victoria- and B/Yamagata-like lineages in Brazil and advocate for the inclusion of a quadrivalent vaccine in the scope of the Brazilian National Immunization Program. Full article

Female characters frequently appear as animals in the unstable universe of James Joyce’s a Finnegans Wake. What Kimberly Devlin terms “the male tendency to reduce women to the level of the beast” is manifest in Finnegans Wake on a large scale. From the hen pecking at a dung heap which we suppose is a manifestation of matriarch Anna Livia Plurabelle, to the often lascivious pig imagery (reminiscent of Bloom’s experience with brothel-keeper Bella in the “Circe” episode of Ulysses) associated with juvenile seductress Issy, the lines between animal and human are frequently blurred when it comes to representing the feminine in the Wake. As scholars such as Devlin have highlighted, such constellations of images have their roots in blatantly misogynistic iconographies. Indeed, the reinscription of female characters into bestial roles in the Wake echoes a religious history of the dehumanisation of women. Yet, while this gendered representational tendency has been noted in Joycean and, more recently, wider modernist studies, its deployment and impact as a cultural and literary trope has not yet been interpreted according to the sociohistorical and cultural contexts which shaped the composition of Finnegans Wake. In particular, the culturally-specific sexual politics of Free State Ireland (1922–1937), against which Joyce arguably pushes throughout the entirety of the Wake, offer a suggestive lens through which to view the text’s interconnected representations of the feminine and the bestial. This article suggests that, in Finnegans Wake, the nonhuman is a mode through which Joyce explores the fraught sexual politics of early twentieth-century Ireland. Specifically, the bestial feminine becomes an avenue to inspect, expose, and satirise prevalent contemporary fears over female sexual licentiousness and national moral decline. Historicising the text’s grappling with themes of carnality and baseness, the article discusses the ways in which the woman-as-animal is deployed in Finnegans Wake as a grotesque symbol of an unbridled and threatening female sexuality—an extreme embodiment of 1920s and 1930s Ireland’s worst fears surrounding the perceived degeneration of Irish women’s modesty. Unearthing the Wake’s social contexts in order to interpret its sexual politics, this article ultimately asks whether the trope of the woman-as-animal stages a complete resistance against the conservatism of early twentieth-century Ireland’s sexual politics, or whether Joyce’s invocation of a historically misogynistic and patriarchal construction risks reinforcing the dehumanisation of women, moving the text’s sexual politics further away from the liberatory. Full article

This paper considers transforming forms and their purposes in the popular culture trope of the televised Monster of the Week (MOTW). In the rare televised appearances outside of Slavic nations, Baba Yaga tends to show up in MOTW episodes. While some MOTW are contemporary inventions, many, like Baba Yaga, are mythological and fantastic creatures from folk narratives. Employing the concept of the folkloresque, we explore how contemporary audiovisual tropes gain integrity and traction by indexing traditional knowledge and belief systems. In the process, we examine key affordances of these forms involving the possibilities of wonder and the portability of tradition. Using digital humanities methods, we built a “monster typology” by scraping lists of folk creatures, mythological beasts, and other supernatural beings from online information sources, and we used topic modeling to investigate central concerns of MOTW series. Our findings indicate connections in these shows between crime, violence, family, and loss. The trope formulates wonder and families through folk narrative and monster forms and functions. We recognize Baba Yaga’s role as villain in these episodes and acknowledge that these series also shift between episodic and serial narrative arcs involving close relationships between characters and among viewers and fans. Full article