Topical Collection "World Rock Art"

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A topical collection in Arts (ISSN 2076-0752). This collection belongs to the section "Visual Arts".

Editor

Guest Editor
Dr. Robert G. Bednarik
International Federation of Rock Art Organisations (IFRAO), PO Box 216, Caulfield South, Vic. 3162, Australia
Website: http://mc2.vicnet.net.au/home/auraweb/web/index.html
Interests: pleistocene archaeology; epistemology; rock art; prehistoric art; cave art; dating methodology; archaeometry; pleistocene seafaring; human evolution

Topical Collection Information

Dear Colleagues,

The corpus of hundreds of millions of rock art motifs surviving in the world today represents the principal source of information chronicling the cognitive evolution of humanity. It records the world views, concerns, beliefs and communication systems of mostly pre-literate peoples, from the Middle Pleistocene up to the most recent past. It is the largest body available for study that documents the development of the hominin ability of storing memory traces or cultural information external to the brain, as exograms, which is the primary difference between humans and other animals. It precedes systems of writing by up to hundreds of millennia, and it is the main repository of cultural information about nearly all of human history. It amounts to humanity’s longest record of cultural rather than technological evidence. In recent years the study of this immense resource has become an increasingly sophisticated scientific field, supplanting traditional approaches of simplistic interpretation and ethnocentric construal. This collection of Arts is dedicated to assembling a collection of scholarly articles that will serve as a benchmark for current research and priorities in rock art research. Contributions are invited on any topic demonstrating the present knowledge state of the discipline, from any continent and from the perspective of any related field. In particular this collection is hoped to illustrate the great diversity of world rock art, which reflects the cultural diversity of humanity, and from which ultimately all recent arts derive.

Dr. Robert Bednarik
Guest Editor

Submission

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Papers will be published continuously (as soon as accepted) and will be listed together on the collection website. Research articles, review articles as well as communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are refereed through a peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed Open Access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. For the first couple of issues the Article Processing Charge (APC) will be waived for well-prepared manuscripts. English correction and/or formatting fees of 250 CHF (Swiss Francs) will be charged in certain cases for those articles accepted for publication that require extensive additional formatting and/or English corrections.

Published Papers (36 papers)

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2015  ( 5 papers )


2014  ( 12 papers )


2013  ( 19 papers )


2015
by  and
Arts 2015, 4(3), 101-120; doi:10.3390/arts4030101
Received: 6 May 2015 / Revised: 27 May 2015 / Accepted: 30 June 2015 / Published: 23 September 2015
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Arts 2015, 4(2), 68-74; doi:10.3390/arts4020068
Received: 26 September 2014 / Accepted: 15 December 2014 / Published: 12 June 2015
Show/Hide Abstract | Cited by 1 | PDF Full-text (475 KB) | HTML Full-text | XML Full-text

by , ,  and
Arts 2015, 4(2), 61-67; doi:10.3390/arts4020061
Received: 21 December 2014 / Revised: 25 March 2015 / Accepted: 27 March 2015 / Published: 20 April 2015
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by
Arts 2015, 4(2), 49-60; doi:10.3390/arts4020049
Received: 31 October 2014 / Revised: 8 December 2014 / Accepted: 30 December 2014 / Published: 13 April 2015
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by
Arts 2015, 4(1), 24-33; doi:10.3390/arts4010024
Received: 26 September 2014 / Accepted: 27 January 2015 / Published: 10 February 2015
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2014
by
Arts 2014, 3(4), 367-393; doi:10.3390/arts3040367
Received: 8 September 2014 / Revised: 23 October 2014 / Accepted: 28 October 2014 / Published: 11 December 2014
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by
Arts 2014, 3(2), 245-278; doi:10.3390/arts3020245
Received: 22 March 2014 / Revised: 16 May 2014 / Accepted: 16 May 2014 / Published: 5 June 2014
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by  and
Arts 2014, 3(2), 215-244; doi:10.3390/arts3020215
Received: 30 September 2013 / Revised: 12 February 2014 / Accepted: 10 May 2014 / Published: 2 June 2014
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by
Arts 2014, 3(2), 213-214; doi:10.3390/arts3020213
Received: 22 May 2014 / Accepted: 26 May 2014 / Published: 26 May 2014
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by
Arts 2014, 3(2), 207-212; doi:10.3390/arts3020207
Received: 7 March 2014 / Revised: 10 April 2014 / Accepted: 28 April 2014 / Published: 8 May 2014
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by
Arts 2014, 3(2), 190-206; doi:10.3390/arts3020190
Received: 7 July 2013 / Accepted: 27 February 2014 / Published: 4 April 2014
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by
Arts 2014, 3(1), 135-155; doi:10.3390/arts3010135
Received: 29 September 2013 / Revised: 22 November 2013 / Accepted: 26 November 2013 / Published: 28 February 2014
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by
Arts 2014, 3(1), 156-174; doi:10.3390/arts3010156
Received: 1 February 2014 / Accepted: 7 February 2014 / Published: 28 February 2014
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by
Arts 2014, 3(1), 118-134; doi:10.3390/arts3010118
Received: 17 January 2014 / Revised: 6 February 2014 / Accepted: 18 February 2014 / Published: 26 February 2014
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by
Arts 2014, 3(1), 73-104; doi:10.3390/arts3010073
Received: 4 October 2013 / Revised: 29 January 2014 / Accepted: 29 January 2014 / Published: 13 February 2014
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by
Arts 2014, 3(1), 46-53; doi:10.3390/arts3010046
Received: 9 September 2013 / Revised: 8 January 2014 / Accepted: 13 January 2014 / Published: 20 January 2014
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by
Arts 2014, 3(1), 27-45; doi:10.3390/arts3010027
Received: 30 September 2013 / Revised: 28 October 2013 / Accepted: 1 December 2013 / Published: 3 January 2014
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2013
by
Arts 2014, 3(1), 1-14; doi:10.3390/arts3010001
Received: 28 October 2013 / Revised: 2 December 2013 / Accepted: 17 December 2013 / Published: 27 December 2013
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by
Arts 2013, 2(4), 447-475; doi:10.3390/arts2040447
Received: 5 September 2013 / Revised: 28 October 2013 / Accepted: 27 November 2013 / Published: 13 December 2013
Show/Hide Abstract | Cited by 2 | PDF Full-text (3026 KB) | HTML Full-text | XML Full-text

by
Arts 2013, 2(4), 476-490; doi:10.3390/arts2040476
Received: 26 September 2013 / Revised: 19 November 2013 / Accepted: 20 November 2013 / Published: 13 December 2013
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by
Arts 2013, 2(4), 350-382; doi:10.3390/arts2040350
Received: 31 October 2013 / Revised: 12 November 2013 / Accepted: 14 November 2013 / Published: 10 December 2013
Show/Hide Abstract | Cited by 1 | PDF Full-text (3911 KB) | HTML Full-text | XML Full-text

by
Arts 2013, 2(4), 383-446; doi:10.3390/arts2040383
Received: 27 August 2013 / Revised: 18 November 2013 / Accepted: 20 November 2013 / Published: 10 December 2013
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by
Arts 2013, 2(4), 273-327; doi:10.3390/arts2040273
Received: 29 October 2013 / Revised: 11 November 2013 / Accepted: 12 November 2013 / Published: 5 December 2013
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by
Arts 2013, 2(4), 328-349; doi:10.3390/arts2040328
Received: 30 August 2013 / Revised: 25 October 2013 / Accepted: 31 October 2013 / Published: 5 December 2013
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by , , ,  and
Arts 2013, 2(4), 253-272; doi:10.3390/arts2040253
Received: 24 September 2013 / Revised: 5 November 2013 / Accepted: 7 November 2013 / Published: 14 November 2013
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by  and
Arts 2013, 2(4), 225-252; doi:10.3390/arts2040225
Received: 13 August 2013 / Revised: 27 September 2013 / Accepted: 8 October 2013 / Published: 18 October 2013
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by
Arts 2013, 2(4), 182-224; doi:10.3390/arts2040182
Received: 17 August 2013 / Revised: 24 September 2013 / Accepted: 24 September 2013 / Published: 17 October 2013
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by
Arts 2013, 2(3), 151-181; doi:10.3390/arts2030151
Received: 9 August 2013 / Revised: 10 September 2013 / Accepted: 11 September 2013 / Published: 18 September 2013
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by  and
Arts 2013, 2(3), 134-150; doi:10.3390/arts2030134
Received: 25 July 2013 / Accepted: 30 July 2013 / Published: 21 August 2013
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by
Arts 2013, 2(3), 124-133; doi:10.3390/arts2030124
Received: 4 July 2013 / Revised: 17 July 2013 / Accepted: 22 July 2013 / Published: 29 July 2013
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by  and
Arts 2013, 2(3), 111-123; doi:10.3390/arts2030111
Received: 3 June 2013 / Revised: 6 July 2013 / Accepted: 9 July 2013 / Published: 15 July 2013
Show/Hide Abstract | Cited by 4 | PDF Full-text (488 KB) | HTML Full-text | XML Full-text

by
Arts 2013, 2(2), 46-76; doi:10.3390/arts2020046
Received: 8 May 2013 / Revised: 10 June 2013 / Accepted: 12 June 2013 / Published: 19 June 2013
Show/Hide Abstract | Cited by 3 | PDF Full-text (1367 KB) | HTML Full-text | XML Full-text

by
Arts 2013, 2(1), 6-34; doi:10.3390/arts2010006
Received: 22 December 2012 / Revised: 22 January 2013 / Accepted: 23 January 2013 / Published: 8 February 2013
Show/Hide Abstract | Cited by 9 | PDF Full-text (1697 KB)

by
Arts 2013, 2(1), 35-43; doi:10.3390/arts2010035
Received: 28 January 2013 / Revised: 5 February 2013 / Accepted: 6 February 2013 / Published: 8 February 2013
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by
Arts 2013, 2(1), 44-45; doi:10.3390/arts2010044
Received: 4 February 2013 / Accepted: 5 February 2013 / Published: 8 February 2013
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by
Arts 2013, 2(1), 1-2; doi:10.3390/arts2010001
Received: 4 February 2013 / Accepted: 5 February 2013 / Published: 6 February 2013
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Last update: 27 May 2015

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