Arts — Editors

Journal Contact

Arts Editorial Office
MDPI AG, Klybeckstrasse 64, 4057 Basel, Switzerland
Tel. +41 61 683 77 34; Fax: +41 61 302 89 18

Section Editorial Boards

Visual Arts

Music and Performance

Art History

Editorial Office

Prof. Dr. Michelle Facos
Professor, History of Art, Department of the History of Art, FA 132, Indiana University, Bloomington, Indiana 47401, USA
Tel. +812 855 9218; Fax: +812 855 7498
Interests: european art 18th-early 20th century; scandinavian and germanic art and culture; symbolism; identity studies; landscape theory; art markets; jewish culture in scandinavia; innovation theory

Assistant Managing Editor
Ms. Samanta La Russa
MDPI AG, Klybeckstrasse 64, CH-4057 Basel, Switzerland

Managing Editor
Mr. Matthias Burkhalter
MDPI AG, Klybeckstrasse 64, CH-4057 Basel, Switzerland

Production Editor
Dr. Martyn Rittman
MDPI AG, Klybeckstrasse 64, CH-4057 Basel, Switzerland

Editorial Board

Prof. Dr. Annetta Alexandridis
Professor of Classical Art and Archaeology, Department of History of Art, Cornell University, GM 08 Goldwin Smith Hall, Ithaca, NY 14853, USA
Tel. +607 254 7263
Interests: ancient greek and roman art; humans and animals; archaeology and its media (photography, plaster casts); gender studies
Contribution: Special Issue: Archaeology and its Media

Prof. Dr. Laurent Bavay
Assistant Professor, Chair of Egyptian Archaeology. Director of the Centre de Recherches en Archéologie et Patrimoine, Université libre de Bruxelles, 50, avenue F.D. Roosevelt - CP 175/01, 1050 Bruxelles, Belgium
Tel. +32 2 650 2523; Fax: +32 2 650 2467

Prof. Dr. Jan Blanc
Professor of Early Modern Art History, Department of History of Art, University of Geneva, 24, rue Général-Dufour, CH-1211 Genève 4, Switzerland
Tel. +41 22 379 70 75; Fax: +41 22 379 74 40
Interests: Flemish and Dutch seventeenth-century art; early modern art theory; art, society and theories in British art (16th-18th c.); art and theory of art during the Italian and French sixteenth century; deconstruction of methods and commonplaces of the traditional art history; artistic theories et practices between 1400 and 1800; critical history of vision, image; connoisseurship; conception and genesis of the art work
Contribution: Special Issue: Acculturations

Prof. Dr. Martin Clayton
Head of Department in the Department of Music, Durham University, Palace Green, Durham DH1 3RL, UK
Tel. +44 0191 334 3151; Fax: +44 0191 334 3141

Dr. Philippe Colomban
Directeur de Recherche CNRS (DR1), Laboratoire de Dynamique, Interactions et Réactivité (LADIR umr 7075 CNRS), CNRS, Université Pierre et Marie Curie (UPMC Paris 6), c49 Bat F74-3e étage, 4 Place Jussieu 75252 PARIS Cedex 05, France
Tel. +331 4427 2785
Interests: development of (mobile/non-destructive) spectroscopies applied to Fine Arts

Dr. Ellen Fallowfield
MDPI AG, Postfach, CH-4005 Basel, Switzerland. Office: Klybeckstrasse 64, 4057 Basel, Switzerland
Interests: contemporary music; performance practice of contemporary music for cello

Prof. Dr. Maria Fusco
Director of Art Writing, Goldsmiths, University of London, New Cross, London, SE14 6NW, UK
Tel. +44 20 7919 7685
Interests: experimental strategies for contemporary art writing; fictive, critical & theoretical writing; editing and independent publishing

Prof. Dr. Maia Wellington Gahtan
Program Director and Professor of Museology, Lorenzo de' Medici - The Italian International Institute, Palazzo dello Strozzino, Piazza Strozzi 2, I-50123 Firenze, Italy
Tel. +39 55 287 203
Interests: classical tradition; renaissance studies; iconography; history of collecting; museums; early modern intellectual and cultural history; art theory and criticism

Dr. Dirk Huyge
Curator Prehistoric and Early Dynastic Egypt, Royal Museums of Art and History, Jubelpark/Parc du Cinquantenaire 10, B-1000 Brussels, Belgium
Tel. + 32 2 741.73.51; Fax: + 32 2 733.77.35
Interests: prehistoric art; rock art; prehistoric archaeology; egyptology; oceanic art; orientalist art

Prof. Dr. Pedro António Janeiro
Professor of Drawing and Archiectural Drawing at Faculty of Architecture, Technical University of Lisbon, Portugal
Tel. +351 91 9364581
Interests: drawing; theory of image; theory of architecture; history of architecture; aesthetics and phenomenology; arts in general

Prof. Dr. Amelia G. Jones
Professor and Grierson Chair in Visual Culture, Department of Art History and Communication Studies, McGill University, 853 Sherbrooke Street West, Arts Building, Room W285, Montreal Quebec H3A 2T6, Canada
Tel. +514 398 3628
Interests: contemporary and modern art; performance art / body art; feminism postcolonial and queer theory; visual culture of all kinds!; new media

Prof. Dr. Tiziana Migliore
Professor Semiotics, Visual Semiotics, Contemporary Art Theory, Iuav - Venice, Faculty of Art and Design, Istituto delle Terese, Università Iuav di Venezia, Santa Croce 191 Tolentini, 30135 Venezia, Italy
Tel. +041 257 1807/1727; Fax: +041 522 3574
Interests: visual semiotics; linguistics; contemporary art theories; exhibition and museum studies
Contribution: Special Issue: Exhibition Studies

Dr. Andres Pardey
Museum Tinguely, Paul Sacher-Anlage 2, P.O. Box 3255, CH-4002 Basel, Switzerland
Contribution: Special Issue: Kinetic and Op Art

Dr. Alistair Riddell
Lecturer in Sound Art and Physical Computing, The Australian National University, Photography and Media Arts, School of Art, College of Arts and Social Sciences, Room 2.22. Peter Karmel Building #121, Childers St., The Australian National University, Canberra ACT 0200, Australia
Tel. +02 6125 5642; Fax: +02 6125 8262
Interests: physical computing in the creative arts and its potential future forms; music; performance and installation art
Contribution: Special Issue: Installation Art

Dr. Pierluigi Serraino
502 Lagunaria Lane, Alameda, California 94502, USA
Tel. +510 864 1259; Fax: +510 864 4030
Interests: post-war american architecture; california modernism; architectural photography; changes in architectural practice; digital design
Contribution: Topical Collection: Architectural Photography

Dr. Nathan J. Timpano
Assistant Professor of Art History, Department of Art and Art History, University of Miami, 302B Merrick Building, Coral Gables, FL 33146, USA
Tel. +305 284 4246
Interests: modern & contemporary art & theory: europe; the united states and latin america
Contribution: Special Issue: Contemporary Art 1989 to the Present

Dr. Ian Verstegen
Director of Graduate Studies, Moore College of Art & Design, 20th and the Parkway, Philadelphia, PA 19103, USA
Tel. +215 965 8569; Fax: +215 568 8017
Interests: early modern art; art and psychology; perception; critical realism

Prof. Dr. Volker M. Welter
Professor, History of Art & Architecture, Ellison Hall 2834, University of California, Santa Barbara, California 93106-7080, USA
Interests: californian architectural history; Western/European architectural history from the 19th century onwards; Zionist and Israeli architectural history; the modern city since the 19th century; history and theory of sustainable architecture; contemporary architecture and architectural criticism; modern architecture in relation to philosophical and sociological thought
Contribution: Special Issue: Sustainable Architecture

Prof. Dr. Iain Boyd Whyte
VARIE Director, Visual Arts Research Institute, Edinburgh, School of Arts, Culture and Environment, University of Edinburgh, 20 Chambers Street, Edinburgh EH1 1JZ Scotland, UK
Tel. +44 131 650 2352
Interests: Nineteenth and twentieth-century American architectural history in Europe and North America, Architectural theory, Architecture and engineering, 1850 to present, Architecture and politics, Post-war reconstruction and urban theory, Film and architecture, Twentieth-century German art, Anglo-German literary relations, 1700 to the present, Visuality and cognition, Translation as cultural exchange

Prof. Dr. Christopher L.C.E. Witcombe
Professor of Art History, Head of Department, Sweet Briar College, 134 Chapel Road, Sweet Briar, VA 24595, Virginia, USA
Tel. +434 381 6194
Interests: renaissance art; baroque art; renaissance prints; renaissance copyright; archaeoaesthetics; vision and perception; human visual experience; vision science; neuropsychology; image studies; european art; european visual culture; mediterranean art; mediterranean visual culture; modernism; accademia di S. Luca; greek art; roman art; prehistoric art; images of women; feminism; Leonardo da Vinci; Mary Magdalen; sacred places; water

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