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Arts 2013, 2(3), 151-181; doi:10.3390/arts2030151
Article

Late Pleistocene and Early Holocene Rock Art from the Mongolian Altai: The Material and its Cultural Implications

Received: 9 August 2013; in revised form: 10 September 2013 / Accepted: 11 September 2013 / Published: 18 September 2013
(This article belongs to the Special Issue World Rock Art)
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Abstract: Rock-pecked images from the northern Mongolian Altai attest to the presence of human communities within the high valleys of that region during the Late Pleistocene and Early Holocene. The material provides evidence that is hitherto largely missing from the archaeological record of that region. This paper reviews the rock art, its find sites and larger physical contexts and uses evidence from paleoenvironmental studies to propose dating and cultural significance. The material is compared with other sites said to have Paleolithic imagery from Mongolia and the adjoining Russian Altai. The body of presented material offers a major resource for the study of early hunter-gatherer communities at the interface of Central and North Asia.
Keywords: Pleistocene; Holocene; Paleolithic; Mesolithic; mammoth; rhinoceros; ostrich; aurochs; Altai Mountains; Mongolia Pleistocene; Holocene; Paleolithic; Mesolithic; mammoth; rhinoceros; ostrich; aurochs; Altai Mountains; Mongolia
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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MDPI and ACS Style

Jacobson-Tepfer, E. Late Pleistocene and Early Holocene Rock Art from the Mongolian Altai: The Material and its Cultural Implications. Arts 2013, 2, 151-181.

AMA Style

Jacobson-Tepfer E. Late Pleistocene and Early Holocene Rock Art from the Mongolian Altai: The Material and its Cultural Implications. Arts. 2013; 2(3):151-181.

Chicago/Turabian Style

Jacobson-Tepfer, Esther. 2013. "Late Pleistocene and Early Holocene Rock Art from the Mongolian Altai: The Material and its Cultural Implications." Arts 2, no. 3: 151-181.

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