Special Issue "Ghost-towns: Cityscapes, Memories and Critical Theory"
A special issue of Societies (ISSN 2075-4698).
Deadline for manuscript submissions: closed (16 September 2013)
Dr. Graeme Gilloch
Department of Sociology, Bowland North, Lancaster University, Lancaster, LA1 4YT, UK
Phone: +44 1524 594192
Interests: social and cultural theory; critical theory; visual and urban culture; memory studies
Prof. Dr. Changnam Lee
HIT building 208-2, Hangyang University, 222 Wangsimri-ro, Seongdong-Gu, Seoul 133-791, Korea
Phone: +82 2 2220 0541
Fax: +82 2 2298 0542
Interests: transnational history; urban culture
With the emergence in recent years of ‘memory studies’ as an interdisciplinary field within the humanities and social sciences, a number of intriguing questions have come to the fore concerning the character of individual and collective remembrance in relation to urban structures, spaces and experiences. How is the past etched into the very physical fabric of the modern cityscape? How are memories prompted, produced and reproduced in urban contexts and with what consequences? Whose past is celebrated, whose memories are preserved? Such questions have in turn led to critical consideration of the manifold roles played, for example, by monuments, counter-monuments, museums and other sites of (un)official commemoration (Pierre Nora’s lieux de memoire) and of how marginalised and excluded memories might be mobilised to challenge and critique hegemonic histories and narratives of the powerful. As processes of so-called urban renewal and regeneration in former industrial cities threaten to silence and erase ‘troublesome’ memories, it is timely to ask: are ruins sources of, or resources for, recollection? Are cities always and everywhere haunted by their pasts? And perhaps most importantly: how can critical thought and hope survive amid the selective, collective amnesia of 21st century global megacities?
Walter Benjamin once observed that the metropolitan crowd was so important for the poet Charles Baudelaire that, paradoxically, one rarely finds an explicit description of it. The same might well be said of the Critical Theorists of the ‘Frankfurt School’ and memory, for what always stands behind their pessimistic denunciation of modern capitalism is precisely the nightmarish prospect of a complacent conformist world shorn of critique, bereft of meaning, purged of memory. As Theodor Adorno once famously remarked, and it is a sentiment he shared with Max Horkheimer, Herbert Marcuse and others: ‘all reification is a forgetting’. Notwithstanding this, there are two other writers, not members as such but more marginal figures of the Frankfurt Institut for Social Research, now recognised as the key exponents of Critical Theory in relation to memory and the city. As a consequence of their many and varied writings on Berlin, Paris and cities elsewhere (auto/biographical, journalistic, aphoristic, historiographic, always idiosyncratic) both Walter Benjamin and Siegfried Kracauer have become important and indeed inspirational figures for contemporary writers and artists of all kinds who share a fascination with urban experience and the possibilities and practices of remembrance. For example, the meanderings, musings and memories of the flaneur, as both an eccentric historical figure and as a contemporary perambulating pedestrian in the city, have stimulated novelists, essayists, poets, filmmakers, digital experimenters, architects and others to recognise and read the cityscape as a form of palimpsest.
Accordingly, this special issue invites essays and other contributions on the theme of the city and memory in relation to Critical Theory broadly conceived – that is to say, not just ‘Frankfurt School’ thinkers themselves but also all those others (Marxist writers, feminist thinkers and postcolonial theorists among them ) who have found their writings profoundly provocative in their own envisioning of the modern metropolis as a site not only of everyday alienation, exploitation and contestation but also of haunting, myth-making and mourning.
The editors invite contributions of circa 5000 words for publication in the December 2013 issue of the on-line journal Societies.
Dr. Graeme Gilloch
Prof. Dr. Changnam Lee
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. Papers will be published continuously (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are refereed through a peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Societies is an international peer-reviewed Open Access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 300 CHF (Swiss Francs). English correction and/or formatting fees of 250 CHF (Swiss Francs) will be charged in certain cases for those articles accepted for publication that require extensive additional formatting and/or English corrections.
Societies 2014, 4(1), 16-29; doi:10.3390/soc4010016
Received: 31 October 2013; in revised form: 24 December 2013 / Accepted: 24 December 2013 / Published: 3 January 2014| PDF Full-text (98 KB) | HTML Full-text | XML Full-text
Article: The Ghost-Image on Metropolitan Borders—In Terms of Phantom of the Opera and 19th-Century Metropolis Paris
Societies 2014, 4(1), 1-15; doi:10.3390/soc4010001
Received: 7 October 2013; in revised form: 16 October 2013 / Accepted: 20 December 2013 / Published: 27 December 2013| PDF Full-text (130 KB) | HTML Full-text | XML Full-text
Societies 2013, 3(4), 482-490; doi:10.3390/soc3040482
Received: 22 October 2013; in revised form: 18 November 2013 / Accepted: 18 November 2013 / Published: 27 November 2013| PDF Full-text (231 KB) | HTML Full-text | XML Full-text
Societies 2013, 3(4), 464-481; doi:10.3390/soc3040464
Received: 22 September 2013; in revised form: 13 November 2013 / Accepted: 15 November 2013 / Published: 26 November 2013| PDF Full-text (644 KB) | HTML Full-text | XML Full-text
Societies 2013, 3(4), 457-463; doi:10.3390/soc3040457
Received: 13 September 2013; in revised form: 4 November 2013 / Accepted: 7 November 2013 / Published: 12 November 2013| PDF Full-text (54 KB) | HTML Full-text | XML Full-text
Societies 2013, 3(4), 414-426; doi:10.3390/soc3040414
Received: 9 September 2013; in revised form: 22 October 2013 / Accepted: 28 October 2013 / Published: 30 October 2013| PDF Full-text (86 KB) | HTML Full-text | XML Full-text
Article: The Haunting of L.S. Lowry: Class, Mass Spectatorship and the Image at The Lowry, Salford, UK
Societies 2013, 3(4), 332-347; doi:10.3390/soc3040332
Received: 4 September 2013; in revised form: 16 October 2013 / Accepted: 17 October 2013 / Published: 18 October 2013| PDF Full-text (401 KB) | HTML Full-text | XML Full-text
Societies 2013, 3(3), 316-331; doi:10.3390/soc3030316
Received: 1 July 2013; in revised form: 6 August 2013 / Accepted: 28 August 2013 / Published: 18 September 2013| PDF Full-text (193 KB) | HTML Full-text | XML Full-text
Last update: 28 August 2013