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Societies 2013, 3(4), 332-347; doi:10.3390/soc3040332

The Haunting of L.S. Lowry: Class, Mass Spectatorship and the Image at The Lowry, Salford, UK

School of Cultural Studies and Humanities, Leeds Metropolitan University, Broadcasting Place A214, Woodhouse Lane, Leeds, LS2 9EN, UK
Received: 4 September 2013 / Revised: 16 October 2013 / Accepted: 17 October 2013 / Published: 18 October 2013
(This article belongs to the Special Issue Ghost-towns: Cityscapes, Memories and Critical Theory)
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In a series of momentary encounters with the surface details of The Lowry Centre, a cultural venue located in Salford, Greater Manchester, UK, this article considers the fate of the image evoked by the centre’s production and staging of cultural experience. Benjamin’s notion of ‘aura’ as inimical to transformations of art and cultural spectatorship is explored, alongside its fatal incarnation in Baudrillard’s concept of ‘simulation’. L.S. Lowry, I argue, occupies the space as a medium: both as a central figure of transmission of the centre’s narrative of inclusivity through cultural regeneration, and as one who communes with phantoms: remainders of the working-class life and culture that once occupied this locale. Through an exploration of various installations there in his name, Lowry is configured as a ‘destructive character’, who, by making possible an alternative route through its spaces, refuses to allow The Lowry Centre to insulate itself from its locale and the debt it owes to its past. View Full-Text
Keywords: aura; simulation; The Lowry; cultural regeneration; haunting; class aura; simulation; The Lowry; cultural regeneration; haunting; class

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This is an open access article distributed under the Creative Commons Attribution License (CC BY 3.0).

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Thompson, Z. The Haunting of L.S. Lowry: Class, Mass Spectatorship and the Image at The Lowry, Salford, UK. Societies 2013, 3, 332-347.

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