Special Issue "Contemporary Art 1989 to the Present"

A special issue of Arts (ISSN 2076-0752). This special issue belongs to the section "Applied Arts".

Deadline for manuscript submissions: closed (31 December 2014)

Special Issue Editor

Guest Editor
Dr. Nathan J. Timpano

Assistant Professor of Art History, Department of Art and Art History, University of Miami, 302B Merrick Building, Coral Gables, FL 33146, USA
Website | E-Mail
Interests: modern and contemporary art and theory: Europe, the United States, and Latin America

Special Issue Information

Dear Colleagues,

The ever-changing, ever-ambivalent definition of postmodernism and its relationship to art history have enjoyed considerable attention in the current discourse surrounding contemporary art. A number of scholars have alternatively offered that contemporary art produced since 1989 has instead entered a post-postmodernist era, rife with its own theories and critiques. The Renaissance-era saw the birth of the ‘master’ artist, while the nineteenth and early twentieth centuries saw the development of avant-garde movements that, somewhat idealistically, believed art could change society for the better. What then, is the role of the artist in the contemporary era, when globalization, an ever-expanding art market, and a massive increase in the sheer number of artists worldwide have altered the role and status of art in society? This special issue of Arts is subsequently interested in gathering a collection of essays that explore the state of the arts since 1989. Traditional and critical perspectives are welcomed, as well as papers that present novel avenues of research, such as revisionist theories, an examination of newly emerging media, and interdisciplinary approaches to art and art history. Suggested themes include, but are not limited to: post-postmodernism and is relevance in contemporary art (history); globalization and the art market; art and politics; memory and contemporary art; and the increased visibility of Latin American contemporary art worldwide.

Asst. Prof. Dr. Nathan J. Timpano
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) is waived for well-prepared manuscripts submitted to this issue. Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Published Papers (1 paper)

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Open AccessNew Book Received Contemporary Art: 1989 to the Present. Edited by Alexander Dumbadze and Suzanne Hudson. Wiley-Blackwell, Chichester, West Sussex, UK, 2013; 512 Pages. Price £22.99, €27.60, ISBN 978-1-4443-3866-9
Received: 6 February 2013 / Accepted: 7 February 2013 / Published: 7 February 2013
PDF Full-text (16 KB) | HTML Full-text | XML Full-text
An engaging account of today’s contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world. Full article
(This article belongs to the Special Issue Contemporary Art 1989 to the Present)
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