Topical Collection "Architectural Photography"
Dr. Pierluigi Serraino
502 Lagunaria Lane, Alameda, California 94502, USA
Phone: +510 864 1259
Fax: +510 864 4030
Interests: post-war american architecture; california modernism; architectural photography; changes in architectural practice; digital design
Architecture is physically anchored to its site. Its material existence bounds it to the particularity of a place. By default it is unmovable. Those who commit to having a first-hand experience of an actual space must embark on a pilgrimage to get there with the one-sided assumption that they will have full access to it. Photography is the messenger of the building's reality beyond its immediate surroundings. It broadcasts this metaphorical new-born in the built environment to all corners of the world. The photographer is granted a temporary visa to enter the premise and memorialize through the camera what s/he is able to read of that space. In this narrow window of opportunity, architecture is given new birth in media. The transition of architecture from three-dimensional artifact to images is a rite of passage with paramount consequences for discourse. To a large extent, those effects have remained largely unexamined increasing gaps of misreading. This collection of Arts is devoted to gathering a cluster of competing points of view on the role and (mis)use of architectural photography in critical and historical research. Contributions are solicited on a range of sub-topics under the umbrella of the main subject from scholars of disciplines whose internal discourse architectural photography has a detectable impact on. Suggested, but not limited to, themes range from the ethics of spectatorship, visual rhetoric, identity formation, long-term memory construction, canon formation, forms of historiography, manufacturing professional consent.
Dr. Pierluigi Serraino
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Papers will be published continuously (as soon as accepted) and will be listed together on the collection website. Research articles, review articles as well as communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are refereed through a peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed Open Access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. For the first couple of issues the Article Processing Charge (APC) will be waived for well-prepared manuscripts. English correction and/or formatting fees of 250 CHF (Swiss Francs) will be charged in certain cases for those articles accepted for publication that require extensive additional formatting and/or English corrections.
Title: On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography
Author: Raymond Richard Neutra
Affiliation: Neutra Consulting, 956 Evelyn Avenue, Albany CA 94706, USA; firstname.lastname@example.org
Abstract: From the perspective of a specialist in environmental health and as a son of an architectural and architectural photography innovator, the author of this essay reviews the ways that photographers approach architecture. It argues that the Internet and digital technology should be used to document how architecture accommodates what clients do and how they interact as well as documenting brief esthetic experiences in and around architecture.
Keywords: architecture; architectural photography; Richard Neutra; Julius Shulman
Type of Paper: Article
Title: The Cambridge Experiment
Authors: Marco Iuliano 1,* and François Penz 2
Affiliations: 1 Centre for Architecture and the Visual Arts, LSA Liverpool School of Architecture, University of Liverpool, Leverhulme Building, Abercromby Square, Liverpool, L69 3BX, United Kingdom; 2 Department of Architecture, University of Cambridge, 1-5 Scroope Terrace, Cambridge CB2 1PX, United Kingdom; E-Mail: email@example.com; * Author to whom correspondence should be addressed; E-Mail: Marco.Iuliano@liverpool.ac.uk; Tel.: +44-151-794-2602.