Topical Collection "Architectural Photography"
Dr. Pierluigi Serraino
502 Lagunaria Lane, Alameda, California 94502, USA
Fax: +510 864 4030
Interests: post-war american architecture; california modernism; architectural photography; changes in architectural practice; digital design
Architecture is physically anchored to its site. Its material existence bounds it to the particularity of a place. By default it is unmovable. Those who commit to having a first-hand experience of an actual space must embark on a pilgrimage to get there with the one-sided assumption that they will have full access to it. Photography is the messenger of the building's reality beyond its immediate surroundings. It broadcasts this metaphorical new-born in the built environment to all corners of the world. The photographer is granted a temporary visa to enter the premise and memorialize through the camera what s/he is able to read of that space. In this narrow window of opportunity, architecture is given new birth in media. The transition of architecture from three-dimensional artifact to images is a rite of passage with paramount consequences for discourse. To a large extent, those effects have remained largely unexamined increasing gaps of misreading. This collection of Arts is devoted to gathering a cluster of competing points of view on the role and (mis)use of architectural photography in critical and historical research. Contributions are solicited on a range of sub-topics under the umbrella of the main subject from scholars of disciplines whose internal discourse architectural photography has a detectable impact on. Suggested, but not limited to, themes range from the ethics of spectatorship, visual rhetoric, identity formation, long-term memory construction, canon formation, forms of historiography, manufacturing professional consent.
Dr. Pierluigi Serraino
Manuscript Submission Information
Manuscripts for the topical collection can be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on this website. The topical collection considers regular research articles, short communications and review articles. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page.
Please visit the Instructions for Authors page before submitting a manuscript. For the first few issues the Article Processing Charge (APC) will be waived for well-prepared manuscripts. English correction and/or formatting fees of 250 CHF (Swiss Francs) will be charged in certain cases for those articles accepted for publication that require extensive additional formatting and/or English corrections.
2014 ( 2 papers )
Article: The Cambridge Experiment
Arts 2014, 3(3), 307-334; doi:10.3390/arts3030307
Received: 6 June 2014 / Revised: 4 August 2014 / Accepted: 26 August 2014 / Published: 8 September 2014| PDF Full-text (5350 KB)
Article: On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography
Arts 2014, 3(3), 335-349; doi:10.3390/arts3030335
Received: 2 July 2014 / Revised: 26 August 2014 / Accepted: 26 August 2014 / Published: 8 September 2014| PDF Full-text (13351 KB)
Last update: 10 February 2015