Open Access Book

The Ocean of Heroes

A Critical Edition, Translation, and Analysis of the Ḍākārṇavatantra, Chapter 15, and Jayasena’s Meditation Manual

June 2022
418 pages
  • ISBN978-3-0365-2032-2 (Hardback)
  • ISBN978-3-0365-2031-5 (PDF)
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Social Sciences, Arts & Humanities
Summary

The Śrīḍākārṇavamahāyoginītantrarāja (abbreviated to Ḍākārṇava, “Ocean of Ḍākas or Heroes”) is one of the last scriptures belonging to the Buddhist Saṃvara tradition in South Asia. It was composed in the eastern area of the Indian subcontinent sometime between the late 10th and 12th centuries, and its extant version was most likely compiled around the early 12th century. Chapter 15 of the Ḍākārṇava (hereafter Ḍākārṇava 15) teaches a large-scale and elaborate maṇḍala of the highest god Heruka that comprises 986 major deities.

 

This monograph presents the first critical edition and English translation (with annotation) of the Sanskrit text of the Ḍākārṇava 15, elucidates its form and meanings, and clarifies its significance in the history of Buddhism in South Asia. I also provide the first critical edition and English translation (with annotation) of Jayasena's Ratnapadmarāganidhi ("Precious Ruby Treasury," composed in the 12th century), which is the oldest manual for visualising the Heruka maṇḍala of the Ḍākārṇava 15.

 

In the last stage of the history of Tantric Buddhism in India, when various Buddhist Tantric traditions were already present, some texts were composed, such as the Kālacakratantra and the Vajrāvalī of Abhayākaragupta. These texts provide inclusive Tantric systems in which various preceding traditions are integrated and reorganised. The Ḍākārṇava is one such text. The Heruka maṇḍala in the Ḍākārṇava 15 is comprehensive and integrates deities from various Tantric traditions and components of the Buddhist cosmos within the framework of the Saṃvara system.

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  • Hardback
License and Copyright
© 2022 by the authors; CC BY-NC-ND license
Keywords
Tantric Buddhism in India, Nepal, and Tibet; Heruka; Samvara; Jayasena; Maṇḍala; visualization and art
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This monograph has been reviewed by two (or more) external single-blind reviewers. The opinions expressed in the book do not reflect the view of the publisher.

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