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Selfie-Wars on Social Media

Abstract
The image-related self-thematization using digital communication technologies is a central cultural pattern of postmodern society. Considering these assumptions, this paper raises the question of whether, and in what way, practices of identity construction are changing, as part of the development of new digital and interactive media. The continuous change in media, society and technology in present visual cultures has led to the perception that images should be seen as an essential contribution to the formation of society and subjectivity. Along these lines, this submission analyses selfies as formats of communication and clarifies media-specific aspects of online communication. In this context, the paper focuses on the recurring features of selfies on the level of conventions of visual aesthetics, semantic encodings, media dispositives and stereotypical structures of interaction. With this perspective, it is possible to acquire a more detailed understanding of this relationship once it becomes clear in which way the visual practice and the aesthetics of photographic self-representation collaborate with the networking culture of social media.