Reprint

Dyes in History and Archaeology 41

Edited by
November 2023
346 pages
  • ISBN978-3-0365-8906-0 (Hardback)
  • ISBN978-3-0365-8907-7 (PDF)

This book is a reprint of the Special Issue Dyes in History and Archaeology 41 that was published in

Chemistry & Materials Science
Social Sciences, Arts & Humanities
Summary

This reprint features contributions from the conference DHA41. Dyes in History and Archaeology (DHA) is an annual international conference that focuses on the academic discussion of dyes and organic pigments which have been used in the past. Every year since 1982, this meeting has drawn together conservators; curators; (technical) art historians; craftspeople; artists; independent scholars; and scientists and academics from museums, universities, research centers, and other public or private institutions. Their common interest is to delve deeply into the history, production, application, and properties of organic colorants, as well as their analytical characterization and identification, often in textile objects, but also in other substrates as well as painted surfaces. In the autumn of 2022, the 41st DHA conference was hosted by the Swedish National Heritage Board in Visby. The abstracts are published on the DiVA portal (Digitala Vetenskapliga Arkivet), and many of the presented posters are available for download from the conference program. We are very grateful to the authors of the following 16 articles for submitting their manuscripts and allowing us to put together a publication that presents the fascinating breadth of research into Dyes in History and Archaeology.

Format
  • Hardback
License
© 2022 by the authors; CC BY-NC-ND license
Keywords
18th century; consumer goods; consumer society; colorant; dye; import; mordant; Norway; pigments; positive feedback loop; Korean art; textiles; dye analysis; HPLC-DAD-MS/MS; reflectance spectroscopy; natural dyes; early synthetic dyes; textiles; liquid chromatography; identification; shirts; Romania; 6-bromoindigo; thermochromic; dyeing; wool; Tyrian purple; natural dyes; indigo; woad; Isatis tinctoria; woad balls; couched woad; woad and indigo vat; HPLC; indigoid colorants; indigo-reducing bacteria; Etienne Ferrières’s Register; Antoine Janot; Paul Gout; 18th century memoirs on dyeing; reconstitution of dyeing processes; syngenite; yellow lake; safflower; organic colourants; organic colorants; woad; dyer’s madder; luteolin; unknown orange compounds; HPLC-PDA; wool textiles; Medieval period; Engelbert Jörlin; Swedish dye plants; traded dyeing materials; Carl Linnaeus; Age of Utility; HPLC; indigoids; indirubinoids; dibromoindigo; molluscan purple pigments and dyes; Muricidae; Hexaplex trunculus; Di-Mono Index (DMI); ternary diagram; synthetic dyes; industrial heritage; ESI-mass spectrometry; FTIR spectroscopy; Iron Age; goethite; madder; indigo; Gordion; King Midas; Anatolia; weaving; dyes; City Mound; Phrygia; khipu; Wari; textiles; dyestuffs; heritage science; multiband imaging; X-ray fluorescence; high-performance liquid chromatography; mass spectrometry; Flemish tapestries; textiles; natural dyes; hyperspectral imaging; non-invasive dye analysis; brazilwood; yellow dyes; fading; natural dyes; dyeing procedure; old traditional recipes; natural dyes tradition; color superstitions; Greek manuscripts; Cupressus sempervirens L.; Helichrysum stoechas (L.) Moench; Rytiphloea tinctoria (Clemente) C.Agardh; madder; 19th-century manufacture; Winsor & Newton; multi-analytical characterisation; heritage preservation; mass spectrometry; non-invasive analysis; natural dyes; textile; mass spectrometry imaging; n/a