Reprint
Pigments and Dyes in Archaeological and Historical Objects—Scientific Analyses and Conservation Challenges
Edited by
March 2022
286 pages
- ISBN978-3-0365-3134-2 (Hardback)
- ISBN978-3-0365-3135-9 (PDF)
This book is a reprint of the Special Issue Pigments and Dyes in Archaeological and Historical Objects—Scientific Analyses and Conservation Challenges that was published in
Chemistry & Materials Science
Social Sciences, Arts & Humanities
Summary
The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.
Format
- Hardback
License
© 2022 by the authors; CC BY-NC-ND license
Keywords
Late Cycladic I; brominated indigoids; Muricidae; murex; purpurissum; true purple; microRaman; FTIR; HPLC–DAD; weld lake pigments; yellow lakes; luteolin; 19th century; Winsor & Newton; conservation; Liu Kang; SEM-EDS; MA-XRF; FTIR; IRFC; X-RAY; RTI; hidden paintings; pigments; synthetic organic pigments; royal talens; handheld raman spectroscopy; microraman spectroscopy; modern artist oil paint; urolithin C; brazilein; brazilwood marker component; historical textile; alteration; cadmium orange; chlorine; selenium; terracotta; maize stem; New Spain; computerized tomography; FTIR; Raman; SEM-EDX; Mexican sculpture; polychrome sculpture; Maria Sibylla Merian; colored prints; hyperspectral imaging; X-ray fluorescence spectroscopy; photometric stereo; Prussian blue; non-invasive pigment characterization; textiles; dyes; Peru; ambient ionization mass spectrometry; DART-MS; paper spray MS; HPLC; non-invasive techniques; FORS; XRF; illuminated manuscripts; brazilwood; colourants; Antoine de Lonhy; Torino; reflectance spectroscopy; SERS; synthetic dyes; Tholu Bommalata; puppets; pigment identification; Raman spectroscopy; X-ray fluorescence spectroscopy; scanning electron microscopy-energy dispersive spectroscopy; microstratigraphic analysis; Viking Age; dyestuff; textiles; HPLC-DAD-MS; aragonite; Brunswick green; clinochlore; FTIR; mortars; SEM-EDX; ultramarine yellow; vermilion; wall paintings; XRD; Henri Matisse; cut-outs; gouache; Pigment identification; light sensitivity; Raman spectroscopy; X-ray fluorescence spectroscopy (XRF); Fourier transform infrared spectroscopy (FTIR); microfaedometry (MFT); n/a; n/a