Reprint

Thinking Cinema—With Plants

Edited by
September 2023
180 pages
  • ISBN978-3-0365-7972-6 (Hardback)
  • ISBN978-3-0365-7973-3 (PDF)

This book is a reprint of the Special Issue Thinking Cinema—With Plants that was published in

Social Sciences, Arts & Humanities
Summary

Placing film, theory, and philosophy in dialogue with work in critical plant studies, and drawing upon plant life and scholarship to pose innovative questions within film studies, this reprint explores how engaging with a myriad of aspects of the vegetal world through film has the capacity to open up new lines of thought, in cinema and beyond. The volume brings together film scholars working on the vegetal from a range of different methodological positions: from the historical and archival through film theory and philosophy to film practice. Considering a wide selection of plants in film from experimental filmmaking to a Netflix production, and across varied genres, from natural history film to arthouse cinema, and from a Hollywood studio comedy of the 1950s to a longform streaming television series, contributors question what it means to think cinema with plants from cinema’s moment of inception to the present.

Format
  • Hardback
License
© 2022 by the authors; CC BY-NC-ND license
Keywords
okra; Underground Railroad; plantation; plantationocene; plant-thinking; Blackness; race; mud; earth; Arthur C. Pillsbury; time-lapse photography; natural history film; national parks; aesthetics; environmentalism; American visual culture; permacinema; permaculture; the vegetal turn; indigenous film; phytography; ecocinema; degrowth; Agnès Varda; French feminism; vegetal ontology; plants; vegetal freedom; plant cinema; Amazonian cinema; animist; Jane Campion; The Power of the Dog; the Western; artificial flowers; gender; masculinity; vegetal philosophy; eco-philosophy; feminist philosophy; film-philosophy; film spectatorship; experimental film; experimental writing; fruit; women filmmakers; women writers; affective ecologies; ecocriticism; lichens; plants in film; ruderal plants; vegetal turn; weeds; plants in film; houseplants; romantic comedy; Desk Set; Katharine Hepburn; trees; stories; branches of thought; decolonial representation; Indigenous film practice; plant-based film processing; n/a