Keywordstrauma; memoir; witnessing; Lying; reader response; Oedipus; trauma; neurosis; irony; voice; doubled; echo; knowledge; ignorance; trauma; postmemory; empathy; German literature; refugee; Erpenbeck; Gehen, ging, gegangen; Go, Went, Gone; We Need to Talk about Kevin; Lynne Ramsay; Gnosticism; trauma; independent cinema; marketing; Jacob Taubes; Klaus Barbie Trial; literary justice; crimes against humanity; testimony; traumatic flashback; French-Jewish memory; unconscious transmission; French resistance; filming of trials; Holocaust; representation; postmodernism; collective memory; repression; hypermnesia; testimony; ghosts; realism; Sebald; trauma; postmemory; cinema; Holocaust; documentary; Chile; dictatorship; Pinochet; torture; trauma; memory; perpetrators; post-conflict; reconciliation; film; archival drawings; human rights; representations of traumatic violence; children; transnational; comics; violence; Argentine film; children of the disappeared; Heimat; Generationsroman; memory; space; Lebensborn; Holocaust; palimpsest; heterotopia; n/a
