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Proceedings 2017, 1(9), 943; doi:10.3390/proceedings1090943

Images of the Scenic Space between Reality and Illusion. Projective Transformations of the Scene in the Renaissance Theatre

Department of History, Representation and Restoration of Architecture, ‘Sapienza’ University of Rome, 00186 Rome, Italy
Presented at the International and interdisciplinary conference IMMAGINI? Image and Imagination between representation, communication, education and psychology, Brixen, Italy, 27–28 November 2017.
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Published: 17 November 2017
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Abstract

This study focuses on an analysis of perceiving the infinite “solid images” derived from the projective transformations of space in a relief perspective, with particular reference to Renaissance theatre scenery. Today it is possible to simulate the projective transformations of the scenic space in a parametric environment, dynamically. This parameterization allows to analyze the effects of visual perception of the scene, through the dynamic control of its projective transformations. The main objective of this study is the exploration of the places of the projective transformation straddling reality and illusion, where the metamorphosis of the space triggers changeable processes of perception. changeable processes of perception.
Keywords: perspective; solid perspective; images of tangible and intangible heritage; Renaissance theatrical scenography; Guidobaldo del Monte; Vincenzo Scamozzi perspective; solid perspective; images of tangible and intangible heritage; Renaissance theatrical scenography; Guidobaldo del Monte; Vincenzo Scamozzi
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Baglioni, L.; Salvatore, M. Images of the Scenic Space between Reality and Illusion. Projective Transformations of the Scene in the Renaissance Theatre. Proceedings 2017, 1, 943.

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