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Proceedings 2017, 1(9), 914; doi:10.3390/proceedings1090914

The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”

School of Architecture and Design, University of Camerino, 62032 Camerino, Italy
Presented at the International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology, Brixen, Italy, 27–28 November 2017.
Published: 17 November 2017
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Abstract

In the context of the media, in which industrial means of communication (cinema, TV, telephony, informatics) converge and integrate various visual languages and stimulate the interconnection of different communicational models, audiovisual technical factors that seem marginal are actually capable of conditioning the perception and sense of the image. In particular, those that characterize it as artificial are combined to heighten the quality of the image, just as those that denote it as authentic and real contain the imperfections of an “amateur” image. In this framework, the article aims to investigate how these technical formats, in various communicational devices, perceptual qualities, paradigms, and forms of visual design, are transformed to guide the perception of fiction and reality.
Keywords: developing and communicating ideas; theory of images; statute of images; images and collective imagination; audiovisual design; mass communication developing and communicating ideas; theory of images; statute of images; images and collective imagination; audiovisual design; mass communication
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Oppedisano, F.O. The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”. Proceedings 2017, 1, 914.

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