Religions 2014, 5(2), 334-360; doi:10.3390/rel5020334
Article

At Home with Durga: The Goddess in a Palace and Corporeal Identity in Rituparno Ghosh’s Utsab

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Received: 6 January 2014; in revised form: 4 February 2014 / Accepted: 7 February 2014 / Published: 31 March 2014
(This article belongs to the Special Issue Body and Religion)
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract: In this article, I examine the representational strategies used to visualize the pratima (deity) of the Hindu goddess, Durga, as a paradigm of time, memory, and corporeal identity, in Rituparno Ghosh’s 2000 Bengali film Utsab. I analyze the body as a dynamic site of memory-formation that shapes new histories in the sprawling colonial palace in which the film’s narrative unfolds with an ancestral Durga festival as its focal point. To this end, I look at how the body of the goddess produces and defines the transience of human experience, the fragility of material history, and the desire for historic relevance.
Keywords: Calcutta; colonial; body; Durga; goddess; jewelry; memory; palace; puja; Rituparno Ghosh
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MDPI and ACS Style

Ray, R. At Home with Durga: The Goddess in a Palace and Corporeal Identity in Rituparno Ghosh’s Utsab. Religions 2014, 5, 334-360.

AMA Style

Ray R. At Home with Durga: The Goddess in a Palace and Corporeal Identity in Rituparno Ghosh’s Utsab. Religions. 2014; 5(2):334-360.

Chicago/Turabian Style

Ray, Romita. 2014. "At Home with Durga: The Goddess in a Palace and Corporeal Identity in Rituparno Ghosh’s Utsab." Religions 5, no. 2: 334-360.

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