Open AccessThis article is
- freely available
A Perfect Chord: Trinity in Music, Music in the Trinity
Facoltà Teologica dell'Emilia Romagna, Bologna, Corso Monte Cucco, Turin 125, I-10141, Italy
Received: 9 September 2013; in revised form: 24 September 2013 / Accepted: 1 October 2013 / Published: 9 October 2013
Abstract: The doctrine of God’s Triunity is at the core of Christian faith; this article presents a theological survey of how it has been understood in a musical way during the Christian era. The role of music as a participation in the liturgy of mutual love eternally experienced in the Trinity is first analyzed, with references to the Church Fathers and to modern/contemporary theologians. Later, the three main forms of congregational singing are taken into account (i.e., monody, polyphony and harmony), pointing out how each has been seen in turn as a symbol of the Trinity’s love.
Keywords: Trinity; liturgy; monody; polyphony; harmony; history of music
Article StatisticsClick here to load and display the download statistics.
Notes: Multiple requests from the same IP address are counted as one view.
Cite This Article
MDPI and ACS Style
Bertoglio, C. A Perfect Chord: Trinity in Music, Music in the Trinity. Religions 2013, 4, 485-501.
Bertoglio C. A Perfect Chord: Trinity in Music, Music in the Trinity. Religions. 2013; 4(4):485-501.
Bertoglio, Chiara. 2013. "A Perfect Chord: Trinity in Music, Music in the Trinity." Religions 4, no. 4: 485-501.