Religions 2013, 4(4), 485-501; doi:10.3390/rel4040485

A Perfect Chord: Trinity in Music, Music in the Trinity

Received: 9 September 2013; in revised form: 24 September 2013 / Accepted: 1 October 2013 / Published: 9 October 2013
(This article belongs to the Special Issue Music and Spirituality)
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract: The doctrine of God’s Triunity is at the core of Christian faith; this article presents a theological survey of how it has been understood in a musical way during the Christian era. The role of music as a participation in the liturgy of mutual love eternally experienced in the Trinity is first analyzed, with references to the Church Fathers and to modern/contemporary theologians. Later, the three main forms of congregational singing are taken into account (i.e., monody, polyphony and harmony), pointing out how each has been seen in turn as a symbol of the Trinity’s love.
Keywords: Trinity; liturgy; monody; polyphony; harmony; history of music
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MDPI and ACS Style

Bertoglio, C. A Perfect Chord: Trinity in Music, Music in the Trinity. Religions 2013, 4, 485-501.

AMA Style

Bertoglio C. A Perfect Chord: Trinity in Music, Music in the Trinity. Religions. 2013; 4(4):485-501.

Chicago/Turabian Style

Bertoglio, Chiara. 2013. "A Perfect Chord: Trinity in Music, Music in the Trinity." Religions 4, no. 4: 485-501.

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