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Religions 2013, 4(3), 351-357; doi:10.3390/rel4030351

End of the Line—A Play in One Act

Received: 17 June 2013; in revised form: 16 July 2013 / Accepted: 17 July 2013 / Published: 23 July 2013
(This article belongs to the Special Issue Writers and Critics on Loss, Love, and the Supernatural)
Download PDF [23 KB, uploaded 23 July 2013]
Abstract: In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another.
Keywords: play; playwright; voiceover; drama; one-act play; playwright; voiceover; drama; one-act
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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MDPI and ACS Style

Ziegler, I. End of the Line—A Play in One Act. Religions 2013, 4, 351-357.

AMA Style

Ziegler I. End of the Line—A Play in One Act. Religions. 2013; 4(3):351-357.

Chicago/Turabian Style

Ziegler, Irene. 2013. "End of the Line—A Play in One Act." Religions 4, no. 3: 351-357.

Religions EISSN 2077-1444 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert