Next Article in Journal / Special Issue
On Visiting Our Dead
Previous Article in Journal / Special Issue
Faith in the Ghosts of Literature. Poetic Hauntology in Derrida, Blanchot and Morrison’s Beloved
Religions 2013, 4(3), 351-357; doi:10.3390/rel4030351

End of the Line—A Play in One Act

910 Sabot Street, Richmond, VA 23226, USA
Received: 17 June 2013 / Revised: 16 July 2013 / Accepted: 17 July 2013 / Published: 23 July 2013
(This article belongs to the Special Issue Writers and Critics on Loss, Love, and the Supernatural)
Download PDF [23 KB, uploaded 23 July 2013]


In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another.
Keywords: play; playwright; voiceover; drama; one-act play; playwright; voiceover; drama; one-act
This is an open access article distributed under the Creative Commons Attribution License (CC BY) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Share & Cite This Article

Further Mendeley | CiteULike
Export to BibTeX |
MDPI and ACS Style

Ziegler, I. End of the Line—A Play in One Act. Religions 2013, 4, 351-357.

View more citation formats

Article Metrics

For more information on the journal, click here


Cited By

[Return to top]
Religions EISSN 2077-1444 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert Logo copyright Steve Bridenbaugh/UUA