Religions 2013, 4(3), 351-357; doi:10.3390/rel4030351
Creative

End of the Line—A Play in One Act

910 Sabot Street, Richmond, VA 23226, USA
Received: 17 June 2013; in revised form: 16 July 2013 / Accepted: 17 July 2013 / Published: 23 July 2013
(This article belongs to the Special Issue Writers and Critics on Loss, Love, and the Supernatural)
PDF Full-text Download PDF Full-Text [23 KB, uploaded 23 July 2013 14:39 CEST]
Abstract: In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another.
Keywords: play; playwright; voiceover; drama; one-act

Article Statistics

Load and display the download statistics.

Citations to this Article

Cite This Article

MDPI and ACS Style

Ziegler, I. End of the Line—A Play in One Act. Religions 2013, 4, 351-357.

AMA Style

Ziegler I. End of the Line—A Play in One Act. Religions. 2013; 4(3):351-357.

Chicago/Turabian Style

Ziegler, Irene. 2013. "End of the Line—A Play in One Act." Religions 4, no. 3: 351-357.

Religions EISSN 2077-1444 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert