Next Article in Journal
A Narrative of Resistance: A Brief History of the Dandara Community, Brazil
Previous Article in Journal
Private Citizenship: Real Estate Practice in Palestine
Previous Article in Special Issue
Improvised Performances: Urban Ethnography and the Creative Tactics of Montreal’s Metro Buskers
Article Menu

Export Article

Open AccessFeature PaperArticle
Humanities 2017, 6(3), 69; doi:10.3390/h6030069

Soundwalking: Deep Listening and Spatio-Temporal Montage

Visual Arts, School of Art & Design, Nottingham Trent University, Dryden St, Nottingham NG1 4EY, UK
Received: 1 July 2017 / Revised: 18 August 2017 / Accepted: 21 August 2017 / Published: 31 August 2017
View Full-Text   |   Download PDF [1777 KB, uploaded 1 September 2017]   |  

Abstract

The bicentenary of the 1817 Pentrich Revolution provided an opportunity for the composition of a series of soundwalks that, in turn, offer themselves up as a case study in an exposition of spatial bricolage, from the perspective of an interdisciplinary artist working with the medium of locative sound. Informed by Doreen Massey’s definition of space as ‘a simultaneity of stories so far’, the author’s approach involves extracting sounds from the contemporary soundscape and re-introducing them in the form of multi-layered compositions. This article conducts an analysis of the author’s soundwalking practice according to Max van Manen’s formulation of four essential categories of experience through which to consider our ‘lived world’: spatiality, temporality, corporeality, and relationality. Drawing upon theorists whose concerns include cinematic, mobile and environmental sound, such as Chion, Chambers and Schafer, the author proposes the soundwalk as as an expanded form of cinema, with the flexibility to provoke states of immersion was well as critical detachment. A case is made for the application of the medium within the artistic investigation into ecological and socio-political issues alongside aesthetic concerns. View Full-Text
Keywords: soundwalk; environmental sound; locative sound; binaural technology; social history; Derbyshire; embodiment soundwalk; environmental sound; locative sound; binaural technology; social history; Derbyshire; embodiment
Figures

Figure 1

This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

Scifeed alert for new publications

Never miss any articles matching your research from any publisher
  • Get alerts for new papers matching your research
  • Find out the new papers from selected authors
  • Updated daily for 49'000+ journals and 6000+ publishers
  • Define your Scifeed now

SciFeed Share & Cite This Article

MDPI and ACS Style

Brown, A. Soundwalking: Deep Listening and Spatio-Temporal Montage. Humanities 2017, 6, 69.

Show more citation formats Show less citations formats

Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Metrics

Article Access Statistics

1

Comments

[Return to top]
Humanities EISSN 2076-0787 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert
Back to Top