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Humanities 2017, 6(3), 63; doi:10.3390/h6030063

“It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry

Department of Humanities, University of Salerno, Fisciano, 84084 Italy
Received: 27 July 2017 / Revised: 11 August 2017 / Accepted: 15 August 2017 / Published: 18 August 2017
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The focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They also share a special concern for space. This reading considers space and landscape to function as metonyms. Space here is far from being passive; instead it is constantly in the process of being constructed. The disorientation that the poetic personae experience in these texts follows a labyrinthine pattern where heterogeneity and multiplicity in the sense of contemporaneous plurality prevail. In this perspective, the identity of a place becomes open and provisional, including that of a place called home. View Full-Text
Keywords: contemporary poetry; space and place; liminality contemporary poetry; space and place; liminality
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Rao, E. “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry. Humanities 2017, 6, 63.

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