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Re-Affecting the Stage: Affective Resonance as the Function of the Audience
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Correction of Humanities 2016, 5(3), 79.

Open AccessCorrection
Humanities 2016, 5(4), 83; doi:10.3390/h5040083

Correction: Ana Pais. “Re-Affecting the Stage: Affective Resonance as the Function of the Audience.” Humanities 5 (2016): 79

1,2,3
1
Centro de Estudos de Teatro, University of Lisbon, Alameda da Universidade, 1600-214 Lisboa, Portugal
2
Fundação para a Ciência e Tecnologia, 1249-074 Lisboa, Portugal
3
Department of English, McGill University, 853 Sherbrooke Street West, Montreal, QC H3A 0G5, Canada
Academic Editor: Albrecht Classen
Received: 2 November 2016 / Revised: 3 November 2016 / Accepted: 3 November 2016 / Published: 8 November 2016
(This article belongs to the Special Issue Emotions and Affect in the Humanities, Creative Arts, and Performance)
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The author wishes to make the following correction to the paper published in Humanities [1].[...] View Full-Text
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Pais, A. Correction: Ana Pais. “Re-Affecting the Stage: Affective Resonance as the Function of the Audience.” Humanities 5 (2016): 79. Humanities 2016, 5, 83.

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