Next Article in Journal / Special Issue
Consuming Production: Anime’s Layers of Transnationality and Dispersal of Agency as Seen in Shirobako and Sakuga-Fan Practices
Previous Article in Journal
On Hybrid Creativity
Previous Article in Special Issue
Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods
Article Menu

Export Article

Open AccessArticle

Re-Examining the “What is Manga” Problematic: The Tension and Interrelationship between the “Style” Versus “Made in Japan” Positions

MOKK Media Research Center, Department of Sociology and Communication, Budapest University of Technology and Economics, Budapest 1111, Hungary
Received: 20 April 2018 / Revised: 22 June 2018 / Accepted: 3 July 2018 / Published: 10 July 2018
View Full-Text   |   Download PDF [896 KB, uploaded 10 July 2018]   |  

Abstract

The term manga is used to refer to a range of related and at times exclusive domains according to the position of the speaker. In the present paper, I examine one of the fundamental dichotomies underpinning the arguments in relation to the meaning of manga, the tension and interrelationship between the “style” versus “made in Japan” positions. Building on research on manga, comics, and bande dessinée, I outline a framework that attempts to take stock of the most common features associated with works being considered manga. Highlighting some of the possible connections between visual style and content-specific elements on the one hand, and the Japanese language plus the culture of manga production, dissemination, and consumption in Japan on the other hand, I argue that the manga as style position is not as pure a possibility—transcending all cultural and material situatedness—as it is sometimes held up to be. At the same time, the manga is made in Japan position is not as simplistic as it is commonly thought to be and indeed points to a far deeper and more fundamental interrelationship between manga and Japan—as its real and mythical place of origin—than its proponents might actually articulate. View Full-Text
Keywords: manga; comics; bande dessinée; global manga; OEL manga manga; comics; bande dessinée; global manga; OEL manga
Figures

Figure 1

This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).
SciFeed

Share & Cite This Article

MDPI and ACS Style

Kacsuk, Z. Re-Examining the “What is Manga” Problematic: The Tension and Interrelationship between the “Style” Versus “Made in Japan” Positions. Arts 2018, 7, 26.

Show more citation formats Show less citations formats

Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Related Articles

Article Metrics

Article Access Statistics

1

Comments

[Return to top]
Arts EISSN 2076-0752 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert
Back to Top