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16 pages, 1070 KB  
Article
There Is Not a Word’, but Is It Necessary? Analyzing Pragmatic Decisions Regarding Terminology Within Multispecies Family Relationships
by Javier López-Cepero, Alicia Español and Ángel Rodríguez-Banda
Animals 2025, 15(4), 568; https://doi.org/10.3390/ani15040568 - 16 Feb 2025
Cited by 1 | Viewed by 1106
Abstract
This study analyzes the decision making that underlies the choice of terms we use to refer to companion animals. Three focus groups were developed, including participants from different demographic backgrounds who answered questions about their experience cohabitating with companion animals. The interviews were [...] Read more.
This study analyzes the decision making that underlies the choice of terms we use to refer to companion animals. Three focus groups were developed, including participants from different demographic backgrounds who answered questions about their experience cohabitating with companion animals. The interviews were transcribed and analyzed using Thematic Analysis, carrying out a progressive refinement of the semantic contents until abstracting general themes. This study organizes the results based on three themes: (1) What you mean to me, contemplating human–animal relationships such as multispecies family, pet–owner relationship, human-like relationship, and objectivization; (2) Others’ surveillance, encompassing the role of social pressure in decision making; and (3) A good solution (here and now), focused on the strategic decisions made to balance the prior questions. The analysis shows that companion animals are usually considered part of the family, but that importance is not always freely communicated outside of the household. Often, participants try to nuance the importance of their companion animals, mask this relationship behind jokes, or tend to isolate themselves to avoid hostile social attention. These findings show the dilemmas faced by people who live with animals and point to the urgency of revising hegemonic discourses to improve the integration of these new family models in Spanish society. Full article
(This article belongs to the Special Issue Second Edition: Research on the Human–Companion Animal Relationship)
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12 pages, 235 KB  
Article
Monachophobia in Russia: Peter the Great and His Influence
by Gleb Zapalskii
Religions 2024, 15(10), 1200; https://doi.org/10.3390/rel15101200 - 2 Oct 2024
Viewed by 2517
Abstract
The reforms of Russian Tsar Peter I (1682–1725) touched all spheres of life, including the Church. The purpose of this paper is to bring into focus his approach to the reform of monasticism. It reflects on Peter’s personal remarks as reported both by [...] Read more.
The reforms of Russian Tsar Peter I (1682–1725) touched all spheres of life, including the Church. The purpose of this paper is to bring into focus his approach to the reform of monasticism. It reflects on Peter’s personal remarks as reported both by his Russian and his foreign interlocutors, his legislation, including law drafts, and practical measures such as the All-Joking, All-Drunken Synod. The principal conclusion is that it was this Russian ruler who was the first to call into question the very existence of monasticism and who came close to the ultimate dissolution of monasteries. He did not abolish monasticism not because it was a too radical step but because he devised measures of reform to raise its standards and improve its public utility. His treatment of the monastic tradition should be interpretated not as secularization but rather as modernization. Peter’s personal “monachophobia” is best understood as a modernizing impulse. His objective was the creation of a “modern” state whose Church and clergy represented contemporary values. Traditional, unreformed monasticism presented an obstacle in his progress towards this goal. The legacy of Peter’s policy was an increasing monachophobia in Russia apparent from the 18th century onwards. Full article
(This article belongs to the Special Issue Dissolutions of Monasteries)
12 pages, 266 KB  
Article
An Approach to Bektashi Anecdotes from the Perspective of Relief Theory: Mental Aberration or Substitution of Humour
by Hasan Savaş, Cihat Burak Korkmaz, Kürşat İlgün and Ünsal Yılmaz Yeşildal
Religions 2024, 15(8), 977; https://doi.org/10.3390/rel15080977 - 12 Aug 2024
Viewed by 2014
Abstract
Many philosophers have approached the nature of laughter and various ideas have been put forward in the period from the classical period to the present day. One of the relevant ideas was created by the pioneers of relief theory, who sought the nature [...] Read more.
Many philosophers have approached the nature of laughter and various ideas have been put forward in the period from the classical period to the present day. One of the relevant ideas was created by the pioneers of relief theory, who sought the nature of laughter in the act of release from psychological pressure. Relief theory appears as one of the most difficult subjects to diagnose, as a result of its dependence on certain psychological conditions, within the framework of the ecology of Turkish laughter. Bektashi narratives, in which the Turkish–Islamic synthesis is intensely seen, probably take the lead among the Turkish anecdote types that can be included in the subject area of relief theory. In the Ottoman geographical region of the 13th century, Bektashism, which was established with a mystical Sufi understanding based on Hacı Bektaş Veli, started to generate products with an intense subject of laughter over time. It is known that Bektashism, which is the continuation in Anatolia of the Turkish Sufi tradition initiated by Hoca Ahmet Yesevi in the 11th century in the Khorasan region, was also respected by the Ottoman Empire for a long time. Bektashism, which is a continuation of the cultural understanding of Islam, became the subject of anecdotes as a type as a result of certain historical events. In Bektashi narratives, which are reflected in anecdotes as a type, it is easy to determine the situation that causes laughter but difficult to make an analysis of why the matter in question is laughed at. From the narrator’s point of view, there is a fear as to why he/she is telling the story, and, from the listener’s point of view, there is a feeling of having sinned because he/she is laughing. Bektashi anecdotes, which have an element of laughter other than the classical laughter elements based on equivoke, consist of a suppressed fear in their content. The act of laughter, which occurs when the suppressed fear causes sudden relief, reveals the feeling of having sinned based on the aggressive attitude of the anecdote towards religious figures that has been aroused in the person. This situation brings along the necessity of explaining the laughter element in Bektashi anecdotes with the theory of relief. The interpretation of Bektashi anecdotes based on the views of Sigmund Freud, one of the pioneers of relief theory, on laughter and its relationship with the unconscious has made it possible to evaluate this in the context of “substitution” theory. The theory of substitution, a mechanism identified by Freud on the interpretation of dreams and the content of anecdotes or jokes, occurs in cases where a statement and its response deviate from the direction indicated by the original statement. For the formation of the theory, which is characterised as a psychological deviation or a product of faulty reasoning, a subject contrary to social norms must be dealt with, laughter must not depend on equivoke and it must be found in the last response of a conversation. Based on these data, five Bektashi anecdotes have been identified using the sampling method in the article and substitution theory has been applied to the identified jokes. Full article
18 pages, 3075 KB  
Article
Laughing about Religious Authority—But Not Too Loud
by Lena Richter
Religions 2021, 12(2), 73; https://doi.org/10.3390/rel12020073 - 24 Jan 2021
Cited by 10 | Viewed by 7831
Abstract
In Facebook groups of young Moroccan non-believers, cartoons, memes, and jokes that mock religion are widely shared. By phrasing the messages in a humorous way, it is possible to express experiences and viewpoints that are more difficult to communicate in direct speech. Studying [...] Read more.
In Facebook groups of young Moroccan non-believers, cartoons, memes, and jokes that mock religion are widely shared. By phrasing the messages in a humorous way, it is possible to express experiences and viewpoints that are more difficult to communicate in direct speech. Studying these forms of humor can reveal several themes, frames, and tropes that are important to many former Muslims, such as criticizing the legal restrictions of non-belief and countering stereotypes about non-believers. This leads to the following question: To what extent is humor being employed as an (online) tool for young Moroccan non-believers to challenge the religious status quo? To answer this question, the article analyzes numerous examples of religious-related humor during the COVID-19 pandemic and Ramadan. Hereby, it becomes clear that many jokes remain a limited and covert dissent strategy, as they are only shared among fellow non-believers. Yet, this article argues that jokes are an important method of differentiation, self-expression, and in-group identification that can build a fruitful ground for future activism. Full article
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16 pages, 801 KB  
Article
@Shakespeare and @TwasFletcher: Performances of Authority
by Nora J. Williams
Humanities 2019, 8(1), 46; https://doi.org/10.3390/h8010046 - 4 Mar 2019
Cited by 8 | Viewed by 5206
Abstract
‘@Shakespeare: Trying to keep incognito with #WSCongress16 in town. If a scholar sees me I just say, “Hullo, lovely to meet you. I’m Peter Holland”/@TwasFletcher: Tell them you’re Me!’ (1 August 2016). This article looks at the anonymously-managed @Shakespeare account and its performance [...] Read more.
‘@Shakespeare: Trying to keep incognito with #WSCongress16 in town. If a scholar sees me I just say, “Hullo, lovely to meet you. I’m Peter Holland”/@TwasFletcher: Tell them you’re Me!’ (1 August 2016). This article looks at the anonymously-managed @Shakespeare account and its performance of Shakespeare’s authority on social media, in the context of the parody bot account @TwasFletcher. I argue that authority is established and performed by @Shakespeare through interaction with other authoritative accounts, literary in-jokes, engagement with academic conferences, and, most crucially, anonymity. The destabilising or undermining of Shakespeare’s online authority as performed by @TwasFletcher, is especially significant for its lack of anonymity: created by Hofstra University professor and associate dean Vimala C. Pasupathi, @TwasFletcher raises questions about how scholars who are not white, cis-het men make space for themselves within the authority commanded by Shakespeare, especially online. By inserting Fletcher into Shakespeare, Pasupathi herself performs authority in opposition to Shakespeare and the dominant idea of who a Shakespeare scholar should be or what s/he should do. This essay will therefore argue that two meanings of “authority”—recognized as true or valid on the one hand, and domineering, autocratic, or imposing on the other—play out through the relationship between @Shakespeare and @TwasFletcher on Twitter. Full article
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17 pages, 261 KB  
Article
The Riddle: Form and Performance
by Annikki Kaivola-Bregenhøj
Humanities 2018, 7(2), 49; https://doi.org/10.3390/h7020049 - 18 May 2018
Cited by 4 | Viewed by 16090
Abstract
The article concentrates on the true or the ordinary riddle, which is the best-known of the old riddles. True riddles consist of two parts, one functioning as a question, the other as an answer. In riddling the answerer or riddlee tries to find [...] Read more.
The article concentrates on the true or the ordinary riddle, which is the best-known of the old riddles. True riddles consist of two parts, one functioning as a question, the other as an answer. In riddling the answerer or riddlee tries to find an acceptable answer to the question. Sometimes riddlees are deliberately misled because the “right” answer is completely unexpected. Riddles are “texts” only in archives and publications; in the field, they are always oral lore closely tied to their performing context. Study of social and cultural contexts is a new part of riddle research. Field researchers’ studies and findings are important. The article includes riddle definitions and analysis of subjects, metaphors and formulae of riddles as well as the functions of riddling. New challenges are the driving force behind research. I attempt to find something new in my material. New for me has been discovering the humour in riddles. Reading dozens and even hundreds of riddle variants begins to give me some idea of the fun and humour inherent in riddles. There are still questions in riddle materials waiting to be asked; it is always possible to discover something new. Full article
(This article belongs to the Special Issue The Challenge of Folklore to the Humanities)
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