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Humanities 2018, 7(1), 4; doi:10.3390/h7010004

“Time is Production”: Process-Art, and Aesthetic Time in Paul Valéry’s Cahiers

Department of Comparative Literature, Binghamton University, State University of New York (SUNY), Binghamton, NY 13902, USA
Received: 30 October 2017 / Revised: 15 December 2017 / Accepted: 29 December 2017 / Published: 5 January 2018
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
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Abstract

This paper offers a contextually inflected discussion of the extensive investment Paul Valéry makes in going beyond formal understandings of time. To this end it takes the processual work Cahiers as both a repository of insights, and a practical motor of conceptual creation for new time concepts through its very writing and production. In a speculative engagement with Valérian concepts such as phase, prolongation as well as reconfigured relations between central categorical pairings such as quality-quantity and succession-simultaneity, the paper situates Valéry’s writings on time with regard to their ambiguously critical attitude to a given image of philosophy as a form of verbal exercise ungrounded in empirical observation of local systems. View Full-Text
Keywords: rhythm; phase; incompletion; form; meontology; simultaneity rhythm; phase; incompletion; form; meontology; simultaneity
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This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Ustun, B. “Time is Production”: Process-Art, and Aesthetic Time in Paul Valéry’s Cahiers. Humanities 2018, 7, 4.

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