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Arts 2017, 6(2), 8; doi:10.3390/arts6020008

Visual Language and ‘Paintaglios’ of Gerald Chukwuma: A Critical Analysis

Department of Fine and Applied Arts, University of Nigeria, Nsukka (400241), Nigeria
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Author to whom correspondence should be addressed.
Academic Editor: Annetta Alexandridis
Received: 23 September 2016 / Accepted: 28 April 2017 / Published: 24 May 2017
(This article belongs to the Section Visual Arts)
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Abstract

Gerald Chukwuma is a prolific Nigerian artist whose creative adaptation and use of media tend to deviate from common practice. This essay draws on his several avant-garde works on display at the Nnamdi Azikiwe Library and at the administrative building of the University of Nigeria Nsukka. These artworks are referred to as ‘paintaglio’ in this essay owing to the convergence of painting, and engraving (or intaglio) processes. This study therefore identifies, critically interprets and analyzes Chukwuma’s artistic inclinations—style, spirit, forms, materials, and techniques. This is in order to lay bare the formal and conceptual properties that foreground the artist’s recent paintaglio experiments. The study relies on personal interviews, literature, and images of Chukwuma’s works as data. Such experimental works which clearly express influences of ‘natural synthesis’ ideology are here examined against the backdrop of their epistemic themes. View Full-Text
Keywords: paintaglio; experimental art; self-discovery; creative; visual; uli; Nsukka School paintaglio; experimental art; self-discovery; creative; visual; uli; Nsukka School
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This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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MDPI and ACS Style

Morgan, T.V.; Nwigwe, C.; Uzoagba, C. Visual Language and ‘Paintaglios’ of Gerald Chukwuma: A Critical Analysis. Arts 2017, 6, 8.

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