Search Results (280)

Universal Accessibility in Astronomy requires a paradigm shift from visual-centric communication to multisensory data interaction. Because astronomy communication relies inherently on high-resolution imagery and visual metaphors, it creates significant accessibility barriers for blind and low-vision (BLV) audiences. To address this, multimodal encoding offers a feasible and meaningful solution by redistributing information across alternative sensory channels, ensuring that the absence of sight does not preclude the comprehension of spatial data. This article explores the development and evaluation of a low-cost, multimodal tool designed to represent complex astronomical concepts—specifically stellar magnitude and color—through tactile and auditory stimuli. Unlike traditional methods, our approach focuses on the haptic-cognitive link, allowing users to “feel” data through physical relief models. We present a structured impact study involving a heterogeneous group of blind, low-vision, and sighted participants. The methodology followed a mixed-methods approach, including a participatory workshop with 20 individuals and a detailed usability assessment with a core group (n= 6) of blind and low-vision participants. Preliminary results from this pilot phase demonstrate that multimodal integration effectively reduces the perceived mental effort for complex spatial data comprehension. Quantitative and qualitative feedback suggests that tactile-auditory sensory substitution not only improves accessibility but also enhances engagement and information retention across all user groups. These findings highlight the potential of multimodal models in transforming public scientific environments, such as museums and observatories, into inclusive, interactive spaces. Full article

Mercury (Hg) decontamination in active and decommissioned mining areas is a difficult task since Hg may affect environmental matrices and man-made materials. Despite its toxicity as an inorganic form being rather limited with respect to organic compounds (e.g., methyl-Hg), severe effects to human health and ecosystems are recognized. In this work, we review the geochemical activities carried out in the last 13 years at the Abbadia San Salvatore (AbSS) mining and production area. This site belongs to Mt. Amiata (Tuscany, central Italy), which is considered the third-largest Hg-district in the world. Air, water, soil and man-made materials within the AbSS area were investigated to verify to what extent such matrices were affected by Hg contamination. The geochemical investigations are used as important tools to proceed with specific remediation operations of edifices, mining structures and machineries as well as the local groundwater system. To the best of our knowledge, restoration of decommissioned areas affected by Hg contamination at a large scale, such as the AbSS exploitation and production site, is rather uncommon. Currently, the remediation activities in the AbSS area are going on and they are expected to be concluded at the end of 2026 or the beginning of 2027, when the former mining area will turn into a public archeometallurgical museum. Full article

Taking Dachen Village in Jiangshan, Zhejiang Province, as an example, this paper discusses the application of digital intelligence technology innovation in the protection of rural cultural architectural heritage. After reviewing the relevant literature on the digital protection of traditional village cultural heritage, this research applied new technologies, such as big data screening and computer clusters, to develop a visual digital intelligence display platform for Dachen Village. The research results show the innovation, experience, and interactivity of digital intelligence technology. This research proposes the use of digital intelligent classification preservation, digital museum construction, and the intelligent development of planning circle websites to protect rural cultural heritage effectively. This paper addresses four core academic gaps in the current research on the “digital-intelligent preservation of traditional villages”: fragmented technological applications, lack of public participation, separation of tangible and intangible heritage, and the absence of replicable models. It proposes a “low-threshold, full-process, replicable” digital-intelligent preservation approach, providing dual reference for both theoretical and practical aspects in subsequent research. It also calls for public participation in jointly inheriting and carrying forward the treasures of human historical civilization. Full article

It is difficult to capture the realities of the illicit antiquities market because of the lack of accessible, unsiloed data from underground trade networks. Despite existing literature on social network analyses and machine-learning experiments with antiquities data, there is a gap in simple open-source methodologies accessible to the non-academic public. By using a provenance-based analysis, we present a case study of the Italian antiquities trafficking networks that more fully captures their complexity. This study culls provenance data from repatriated antiquities gathered in the Museum of Looted Antiquities’ dataset to create a network visualization for analysis. Using open-source provenance and repatriation data from 1950 to July 2025, we built a dataset of 233 repatriation events with 15.858 objects to produce a network that reveals central actors, roles, and locations while staying within ethical privacy limits. This study captures large portions of the trafficking network by using accessible data and produces a reproducible, ethically framed workflow. Full article

As museums and science centers work to reach broad and diverse public audiences, staff face challenges in aligning learner-centered educational approaches with the needs and motivations of audiences with varying identities and agendas. This article synthesizes several years of practitioner-driven work, in which science center staff revised an engineering design exhibition in response to visitor feedback and observations in practice. Analyses examine practitioners’ perspectives about the unanticipated challenges within the original design of the exhibition, and the ways in which museum staff updated their expectations and pedagogical strategies. Analyses are grounded in two theoretical models: (1) Falk’s Museum Visitor Experience Model, which describes how people use museum visits to affirm specific aspects of their identities; and (2) Dawson’s Access and Equity Framework, which describes structural forms of inaccessibility and exclusion that become embedded within museum spaces. These frameworks are used to examine the systemic changes that staff made to multiple facets of the visitor experience, including signage, framing and facilitation of activities, curation and preparation of materials, and the design of adjacent exhibits. This ever-expanding process was a necessary investment to realize the exhibition’s original intention of building on visitors’ existing knowledge, identities, and lived experiences. Full article

This article investigates the phenomenon of numismatic forgery legitimisation and its impact on the fields of numismatics, archaeology, history and law. Forgery legitimisation is a broad phenomenon that encompasses both physical forgery and the presentation of fake artifacts as genuine in research literature, auction catalogues, and other contexts. Using the qualitative case-study methodology, the authors propose an analytical framework for suspected forgery legitimisation that incorporates a novel classification of forms and types of forgery, as well as socio-legal mens rea elements. The framework also accounts for factors contributing to the legitimisation of forgeries, including lack of competence, low competition in coin catalogue publication, tradition, closed numismatic communities, and insufficient academic and legal attention. Using this framework, the authors examine two cases of legitimisation of fake coins in medieval Polish–Lithuanian numismatics. The analysis shows how repetition across sources can legitimise fake artifacts, complicating later correction and corrupting heritage research, history and museum science, as well as market integrity. The proposed analytical framework can be useful for investigating other dubious artifacts and for developing analysis methods for forgery legitimisation cases. Full article

This study analyses the educational and social impact of a series of innovative teaching projects developed at the Museum of the History of Pharmacy of the University of Seville. The initiatives—including historical video documentaries, the “student guides” programme, and the digital outreach project “Voices that Empower”—explore the pedagogical potential of scientific heritage as a learning tool and as a medium for public communication. Through experiential and service-learning methodologies, these projects have enhanced students’ communication skills, critical thinking, and awareness of cultural and gender dimensions within pharmaceutical studies. The results demonstrate that the integration of audiovisual production, museum-based learning, and digital storytelling fosters meaningful engagement between the university and society, while also revitalising the historical and humanistic dimensions of pharmacy. Furthermore, the inclusion of a gender perspective in the “Voices that Empower” initiative contributes to the visibility of women in STEM and highlights the museum as a space for empowerment and social transformation. This work concludes that university museums can act as strategic platforms for innovation in higher education, combining heritage preservation, teaching excellence, and civic outreach to promote a more inclusive and sustainable scientific culture. Full article

This study examines individual-centric multimodal sensory experiences in the museum context, where multimodality is defined as the interplay among sensory modalities. Focusing on visual and haptic experiences, the research aims to investigate the role of museum lighting in shaping sensory perception at the Istanbul Museum of Painting and Sculpture. We asked how local museum visitors aged 18–26 (primarily university students and frequent museum-goers) perceive and engage with the museum atmosphere beyond visual stimuli, particularly through lighting. Data were collected through sensorywalks (n = 16), a sensory-spatial research method, and interviews (n = 10) with local museum visitors. Findings indicated that lighting enhances multimodal sensory interactions during museum visits and enhances visitors’ awareness of spatial scale, materiality, and atmosphere. The discussion highlighted the significance of sensory-based museum design, including the sensory museum models and toolkits, in rethinking how young adults engage with museum environments. Understanding the multimodal experiences offers valuable insights for advancing both research and practice in museum studies. Full article

Microbiological contamination in public buildings is closely linked to human presence, such as airborne bacteria, fungi, and particulate matter, which strongly influence indoor air quality (IAQ). This study examined the distribution of microorganisms in a museum building in relation to time of day, air-handling unit (AHU) type, and ventilation operating mode. Exhibition rooms without natural light relied entirely on a central heating, ventilation and air conditioning (HVAC) system. Microbiological contamination was assessed using Koch’s passive sedimentation method over a 24 h cycle for two AHUs (I and III) and selected rooms, while CO₂ levels were monitored as indicators of occupancy and ventilation demand in line with EN 16798-1:2019 and ASHRAE 62.1-2022. Although the demand-controlled ventilation system increased the outdoor air fraction from 40% to 70–100% during peak visitor density, localized increases in microbial contamination occurred. AHU I showed higher loads of Staphylococcus sp. and fungi, while AHU III exhibited pronounced fungal peaks influenced by elevated humidity from an open water reservoir. Psychrophilic bacteria reached 140–230 CFU·m⁻³, mesophilic bacteria 230–320 CFU·m⁻³, and fungi up to 740 CFU·m⁻³. Most CFU values remained below commonly referenced upper limits (<1000 CFU·m⁻³), but several peaks exceeded lower recommended thresholds, indicating a need for improvements. Enhanced filtration, humidity control, increased airflow during high occupancy, and reducing moisture sources in AHUs may mitigate microbial growth and improve IAQ in public buildings. Full article

The Atlantic slave trade was one of the most significant and violent processes in global history, and the Iberian empires played a central role in its development. Yet in Spain and Portugal, the historical and public memory of slavery remains fragmented, producing silences that contrast with its historical magnitude. This study examines these silences through two complementary lenses: the academic preparation of future history teachers and the heritage narratives presented in Iberian museums, adopting a mixed-methods design. A total of 138 pre-service teachers from eight Spanish and Portuguese universities completed a questionnaire providing quantitative data to assess how the Atlantic slave trade was addressed in their university training and which didactic and heritage resources they consider most appropriate for teaching it. In parallel, exhibitions and institutional discourses were analysed in seven national and regional museums related to America, colonisation or maritime expansion, drawing on qualitative data from written interviews with museum professionals. The findings reveal limited curricular attention to the Atlantic slave trade, uneven valuation of heritage resources, and highly variable museum narratives. These results highlight the need for coordinated educational and heritage strategies that strengthen historical understanding, support democratic and intercultural competencies, and contribute to a more inclusive and critically informed public memory. Full article

Museums are key institutions for cultural communication and public education, and their operating concept is shifting from exhibit-centered to experience-centered. As expectations for exhibition experience rise, museum fatigue has become a major constraint on visitors. Existing studies rely on questionnaires and other subjective measures, which makes it difficult to locate fatigue in specific spaces. At the same time, body pose detection and fatigue recognition techniques remain hard to apply in museums because of complex spatial configurations and dense visitor flows. Effective methods for quantifying and mitigating museum fatigue are still lacking. This study proposes a contact-free sensing scheme based on computer vision and builds a coupled analytical framework with three stages: Human Pose Estimation (HPE) for visitor posture detection, fatigue assessment, and fatigue mitigation. A Fatigue Index (FI) quantifies bodily fatigue. Applying this index to the exhibition space in both the baseline and adjusted configurations guides the formulation of mitigation strategies and shows a consistent reduction in FI, which indicates that the adopted measures are effective. The proposed approach establishes a complete frame from fatigue quantification to fatigue mitigation, supports evaluation of exhibition space design, and provides theoretical and methodological support for future improvements to museum experience. Full article

Interactive science galleries have transformed how the public engages with science, shifting from object-centred displays to immersive, design-led experiences. This study situates these changes within broader cultural and economic contexts, exploring how design mediates our understanding of science and reflects neoliberal and experiential values. Using archival research, qualitative interviews with museum professionals, and reflective practice, the research examines the evolution of interactive science spaces at the Science Museum in London—The Children’s Gallery, Launch Pad, and Wonderlab. The findings reveal that exhibition design increasingly prioritises entertainment, immersion, and pleasure, aligning with the rise in the experience economy and the influence of corporate models such as Disneyland. While such strategies enhance visitor engagement and accessibility, they risk simplifying complex scientific narratives and reducing learning to consumption. The study concludes that effective science communication design should balance enjoyment with critical inquiry, using both comfort and discomfort to foster curiosity, reflection, and ethical awareness. By analysing design’s role in shaping the “science experience”, this research contributes to understanding how cultural institutions can create more nuanced, thought-provoking encounters between audiences, knowledge, and space. Full article

Technological advances have influenced and changed cultural heritage in the galleries, libraries, archives, and museums (GLAM) sector by facilitating new forms of experimentation and knowledge exchange. In this context, this paper explores the evolving practice of archaeological facial depiction using AI-powered deepfake avatar creator software programs, such as Epic Games’ MetaHuman Creator (MHC), which offer new affordances in terms of agility, realism, and engagement, and build upon traditional workflows involving the physical sculpting or digital modelling of faces from the past. Through a case-based approach, we illustrate these affordances via real-world applications, including four-dimensional portraits, multi-platform presentations, Augmented Reality (AR), and enhanced audience interaction. We consider the limitations and challenges of these digital avatar systems, such as misrepresentation or cultural insensitivity, and we position this advanced technology within the broader context of digital heritage, considering both the technical possibilities and ethical concerns around synthetic representations of individuals from the past. Finally, we propose that the use of MHC is not a replacement for current practice, but rather an augmentation, expanding the potential for storytelling and public learning outcomes in the GLAM sector, as a result of increased efficiency and new forms of public engagement. Full article

The integration of virtual reality (VR) technologies in museums and cultural heritage has expanded rapidly, driven by demand for immersive visitor experiences. Yet comprehensive studies on their long-term sustainability and operational challenges remain scarce. This mixed-methods study combines scientometric analysis of 1635 Web of Science publications (1997–2025) using VOSviewer 1.6.20 with longitudinal evidence from three VR installations deployed by the authors in Romanian museums representing understudied Central/Eastern European contexts. Analysis maps global trends, collaborations, and regional gaps, while practical evaluation addresses durability, usability, maintenance, technological obsolescence, multi-user management, and headset hygiene. Findings reveal VR’s engagement and preservation potential but highlight constraints limiting long-term viability. Strategic planning, adaptive design, and maintenance frameworks emerge as critical for sustainability. Limitations include WoS exclusivity and regional focus, while findings offer actionable insights for diverse institutional contexts. Full article

After nearly two decades of developments in Historic/Heritage Building Information Modeling (HBIM), the field has reached a stage of maturity that calls for a critical reassessment of its evolution, achievements, and remaining challenges. Digital representation has become a central component of contemporary heritage conservation, enabling advanced methods for analysis, management, and communication. This review examines the maturation of HBIM as a comprehensive framework that integrates extended reality (XR), artificial intelligence (AI), machine learning (ML), semantic segmentation and Digital Twin (DT). Six major research domains that have shaped recent progress are outlined: (1) the application of HBIM to restoration and conservation workflows; (2) the expansion of public engagement through XR, virtual museums, and serious games; (3) the stratigraphic documentation of building archaeology, historical phases, and material decay; (4) data-exchange mechanisms and interoperability with open formats and Common Data Environments (CDEs); (5) strategies for modeling geometric and semantic complexity using traditional, applied, and AI-driven approaches; and (6) the emergence of heritage DT as dynamic, semantically enriched systems integrating real-time and lifecycle data. A comparative assessment of international case studies and bibliometric trends (2015–2025) illustrates how HBIM is transforming proactive and data-informed conservation practice. The review concludes by identifying persistent gaps and outlining strategic directions for the next phase of research and implementation. Full article