Search Results (3)

What can hybridity teach us? The answer I posit is–like water–to embrace movement in all its forms. We are currently experiencing the sixth mass extinction event on earth and yet few scholars give prolonged attention to how we are to sustainably move our human inheritances forward on this increasingly uninhabitable planet. Reflecting on the work of transnational poets, specifically South Korean poet Kim Hyesoon translated through Korean American poet Don Mee Choi and Lebanese American poet Etel Adnan, we are reminded of the myriad ways in which humans can move and survive in a foreign yet familiar world. This paper finds its support in the confluence of transnational contemporary feminist poetics, formalism, environmentalism, and posthumanism. Through the use of various critical discourses, this paper considers how movement and its hybrid capacities offer a new understanding of contemporary North American poetics. In this sense, a poem should be viewed as a dynamic temporal cybernetic system, a vessel, full of energy, simultaneously pulsing with the changing movements and constrictions of everyday life. Full article

This article examines the struggles for water justice led by women in the Aconcagua River Basin (Valparaíso, Chile) through a hydrofeminist perspective. Chile’s water crisis, rooted in a colonial extractivist model and exacerbated by neoliberal policies of water privatization, reflects a deeper crisis of socio-environmental injustice. Rather than understanding water merely as a resource, this research adopts a relational epistemology that conceives water as a living entity shaped by and shaping social, cultural, and ecological relations. Drawing on life-history interviews and the construction of a hydrofeminist cartography with women river defenders, this article explores how gendered and racialized bodies experience the crisis, resist extractive practices, and articulate alternative modes of co-existence with water. The hydrofeminist framework offers critical insights into the intersections of capitalism, colonialism, patriarchy, and environmental degradation, emphasizing how women’s embodied experiences are central to envisioning new water governance paradigms. This study reveals how women’s affective, spiritual, and territorial ties to water foster strategies of resilience, recovery, and re-existence that challenge the dominant extractivist logics. By centering these hydrofeminist life histories, this article contributes to broader debates on environmental justice, decolonial feminisms, and the urgent need to rethink human–water relationships within the current climate crisis. Full article

This article proposes a close reading of Rivers Solomon’s 2019 novella The Deep, a recent eco-story about water, memory, and survival. Solomon’s work is inspired by a song called “The Deep” from experimental hip-hop group clipping, a dark science fiction tale about the underwater-dwelling descendants of African women thrown off slave ships during the Middle Passage. This imaginative alternate history, or counter-mythology, was invented by the Detroit techno band Drexciya, which, in a series of releases between 1992 and 2002, tells us the story of an underwater realm in the mid-Atlantic, where merpeople and their descendants establish a utopian society in the sea, free from the war and racism on the surface. My analysis uses Saidiya Hartman’s “critical fabulation” to make productive sense of the gaps in the archive of trans-Atlantic slavery that silence the voices of enslaved women, listening to the voices of water to imagine not only what was but also what could be. Moreover, this article examines The Deep through a trajectory that moves from the ocean as a space that reproduces death only to the ocean as a generative force for posthuman and multispecies kinship. Using Black hydrocriticism, hydrofeminism, and econarratology, I will argue that this transition is made possible by the “despatialization” of the ocean—a concept introduced by Erin James—where the ocean is conceived not as a fixed or stable environment, but as a space in constant flux, defying stability, and the subsequent immersion in its waters. Full article