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Keywords = dark fandom

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6 pages, 1748 KiB  
Proceeding Paper
The Enhancement of Mummies as a Pull Factor for the Audience: An Analysis between Brand Management and Territorial Tourism Promotion in Italy
by Roberta Manzollino, Laura Leopardi, Edoardo Baiocchi and Saverio Giulio Malatesta
Proceedings 2024, 96(1), 7; https://doi.org/10.3390/proceedings2024096007 - 13 Mar 2024
Viewed by 792
Abstract
Human mummies can often emotionally impact several people and affect the enhancement of territories. A new audience was born through the evolution of cultural tourism, as an example, in the case of the pop culture or fandom market, where tourism flows are aimed [...] Read more.
Human mummies can often emotionally impact several people and affect the enhancement of territories. A new audience was born through the evolution of cultural tourism, as an example, in the case of the pop culture or fandom market, where tourism flows are aimed at the research of specific emotional experiences that are concentrated on literature or cinematic interests. Another revolution in the tourist industry is connected to the disputable case of dark tourism when the concept of travel meets the death topic. Human mummification catches both the abovementioned topics, and it may assign new forms and scopes in a typical schematic of geographic contests in territory enhancement. Full article
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13 pages, 2789 KiB  
Article
Reading Serial Killer Fanfiction: What’s Fannish about It?
by Judith Fathallah
Humanities 2022, 11(3), 65; https://doi.org/10.3390/h11030065 - 24 May 2022
Cited by 1 | Viewed by 7838
Abstract
We have come to a point where the field of fan studies must acknowledge darker, more pathologized and potentially more sinister forms of fandom than we have heretofore. Serial killer fandom is, simultaneously, one of the most visible and least-academically discussed form of [...] Read more.
We have come to a point where the field of fan studies must acknowledge darker, more pathologized and potentially more sinister forms of fandom than we have heretofore. Serial killer fandom is, simultaneously, one of the most visible and least-academically discussed form of fandom, despite a general recognition that certain serial killers are, undeniably, celebrities. Serial killer fanfic is relatively rare, but it certainly exists. In this article, I build on some of the work I have already done on Real Person Fiction, specifically importing the lenses of metalepsis and multimodality as well as the self-conscious intersection between fiction and reality, to look at an example of serial killer fanfic on three platforms—Ao3, Tumblr and Wattpad. The article asks what we can learn from applying a fan studies approach to this phenomenon. Is there anything uniquely problematic about serial killer fanfiction, or is it the same process as what so many already do as a mainstream cultural practice, hypothesizing and imagining the ‘backstage’ of famous serial killers, as we do with all other celebrities? I compare the 2019 film Extremely Wicked, Shockingly Evil and Vile which focuses on Bundy’s private relationship with his long-time girlfriend, his circus-like televised murder trial and his eventual death sentence, with a selection of Ted Bundy fanfiction. Of course, the film does not call itself fanfiction (though several critics have considered it to glorify its subject). I will argue that the distinction between ‘serial killer fanfiction’ and authorized, industrialized and popular forms of serial killer media, actually, has very little to do with the content of the text, and is based on a complex network of assumptions regarding its author, context and modes of production and reception. If this is so, the questions we should ask of serial killer fanfic are, in fact, much broader questions regarding our cultural fascination with serial killer media, challenging the pathologization of a specific, feminine-coded and extremely stigmatized fannish practice. Full article
(This article belongs to the Special Issue The Past, Present and Future of Fan-Fiction)
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