Search Results (95)

Artistic style transfer aims to transfer the style of an artwork to a photograph while maintaining its original overall content. Although current style-transfer methods have achieved promising results when processing photorealistic images, they often struggle with brushstroke preservation in artworks, especially in styles such as oil painting and pointillism. In such cases, the extracted style and content features tend to include redundant information, leading to issues such as blurred edges and a loss of fine details in the transferred images. To address this problem, this paper proposes a multi-scale general style-transfer network based on diffusion models. The proposed network consists of a coarse style-transfer module and a refined style-transfer module. First, the coarse style-transfer module is designed to perform mainstream style-transfer tasks more efficiently by operating on downsampled images, enabling faster processing with satisfactory results. Next, to further enhance edge fidelity, a refined style-transfer module is introduced. This module utilizes a segmentation component to generate a mask of the main subject in the image and performs edge-aware refinement. This enhances the fusion between the subject’s edges and the target style while preserving more detailed features. To improve overall image quality and better integrate the style along the content boundaries, the output from the coarse module is upsampled by a factor of two and combined with the subject mask. With the assistance of ControlNet and Stable Diffusion, the model performs content-aware edge redrawing to enhance the overall visual quality of the stylized image. Compared with state-of-the-art style-transfer methods, the proposed model preserves more edge details and achieves more natural fusion between style and content. Full article

In this article, a multidisciplinary methodological approach for studying a wooden panel painting is applied. The theoretical framework, within which this research has arisen, is the application of state-of-the-art non-destructive techniques for addressing issues concerning the constituting parts and composing materials of the artwork. Hereby, a post-Byzantine icon was studied, which was dated back to 1836. It is a painting executed on a wooden panel, with a decorated wooden frame attached. The artifact was thoroughly investigated through the application of infrared thermography (IRT), multispectral imaging (MSI), and macroscopic X-ray fluorescence spectrometry (MA-XRF). These analyses provided crucial information about the verso of the painting (i.e., the wooden panel and the frame) and allowed for the revelation of important details of the recto of the painting, which were not visible due to the presence of an old, decayed varnish. Additionally, through the detailed mapping of the distribution of various chemical elements on the recto of the painting and the frame, it was possible to identify the materials used and techniques employed. It is therefore shown that, when combined, the non-destructive methodologies in consideration can provide adequate information referring to the materiality and state of preservation of panel paintings, permitting the conservator to proceed to a tailored conservation treatment. Full article

In recent decades, there has been an increase in the development of non-invasive and non-destructive analytical techniques in the field of cultural heritage. The present study aims to characterize the frescoes in the hypogeum environment of the San Pietro a Corte complex in Salerno (Campania, Italy) through a multi-analytical approach that couples Infrared Reflectography with X-Ray Fluorescence Spectrometry. Thermographic and hygrometric measurements were also performed to evaluate their state of conservation in relation to environmental parameters such as relative humidity and temperature at the frescoed walls. Spectroscopic investigations revealed a predominant use of natural pigments—chiefly iron-rich earths—and uncovered details invisible to the naked eye that aid art historians in refining stylistic attributions. Hygrometric data showed that the central zones of the frescoes retain the highest moisture levels, underscoring the need for a carefully tailored conservation plan. Overall, this multi-analytical methodology provides important information that enables conservators and restorers to understand both the materials and the preservation requirements of these artworks from a scientific and conservation perspective. Full article

Cultural Heritage is a vital socioeconomic driver that must contend with works of art continuously exposed to degradation processes, which are further exacerbated by climate change. Aged coatings, varnishes, and soil can compromise the appearance of artworks, preventing their preservation and valorization. In response, soft matter and colloidal systems, such as nanostructured cleaning fluids (NCFs), have proved to be valuable solutions for safely and effectively cleaning works of art. Here, a novel cleaning system is proposed, for the first time employing microgels of poly(N-isopropylacrylamide) (PNIPAM) with surface chains of oligoethylene glycol methyl ether methacrylate (OEGMA) to favor shear deformation by lubrication. These microgels are loaded with NCFs featuring “green” solvents and different kinds of bio-derived or petroleum-based surfactants (non-ionic, zwitterionic). Rheological characterization of the combined systems highlighted a sharp transition from solid to liquid-like state in the 21–24 °C range when the zwitterionic surfactant dodecyldimethylamine oxide was used; the system displays a solid-like behavior at rest but flows easily at intermediate strains. At slightly higher temperature (>24 °C), an inversion of the G′, G″ values was observed, leading to a system that behaves as a liquid. Such control of rheological behavior is significant for feasible and complete removal of soiled polymer coatings from textured ceramic surfaces, which are difficult to clean with conventional gels, without leaving residues. These results position the PNIPAM-OEGMA microgels as promising cleaning materials for the conservation of Cultural Heritage, with possible applications also in fields where gelled systems are of interest (pharmaceutics, cosmetics, detergency, etc.). Full article

Red lead (Pb₃O₄) has been extensively utilized as a red pigment for centuries. However, the discoloration and blackening of red lead in historical paintings have significantly compromised the aesthetic value of mural artworks. Investigating the mechanisms behind the blackening of Pb₃O₄ is of paramount importance. This study examined the effects of four kinds of reactive oxygen species (ROS) on the aging process of Pb₃O₄ in an alkaline environment. Specifically, singlet oxygen (¹O₂), superoxide radical (O₂⁻·), hydrogen peroxide (H₂O₂), or peroxynitrite (ONOO⁻) was individually reacted with Pb₃O₄. The resulting products were analyzed qualitatively and quantitatively using X-ray diffraction (XRD), X-ray photoelectron spectroscopy (XPS), scanning electron microscopy–energy-dispersive spectroscopy (SEM-EDS), Raman spectroscopy, inductively coupled plasma mass spectrometry (ICP-MS), and UV-Vis spectroscopy. The findings indicate that singlet oxygen (¹O₂) and superoxide radicals (O₂⁻·) effectively induce the aging of Pb₃O₄, whereas hydrogen peroxide (H₂O₂) and peroxynitrite (ONOO⁻) exhibit little impact on its aging. This research elucidates the aging mechanisms of Pb₃O₄ in alkaline environments and provides valuable insights for the preservation and restoration of mural paintings. Full article

Money Art is a growing contemporary practice where artists transform banknotes into unique visual works. While conceptually powerful, these artworks present significant conservation challenges due to their fragile substrates and complex material compositions. This study investigates the degradation behaviour of UniPosca acrylic markers applied on zero-euro banknotes, drawing on the techniques of artist RichardHTT, and explores bio-based protective strategies suitable for their preservation. Laboratory samples were prepared to replicate the original artwork and subjected to accelerated ageing. A multi-analytical approach was employed, including multispectral imaging, Fourier trasform infrared (FTIR) and Raman spectroscopy, and scanning electron microscopy (SEM-EDS) colorimetric analysis. Thickness and adhesion properties were assessed with contact micrometry and peel tests, while wettability was evaluated through static contact angle measurements. Four biopolymer coatings, chitosan and chitosan–nanocellulose films with varying CNC concentrations, were evaluated for their transparency, mechanical stability, and compatibility with the substrate. Results showed that painted areas, especially those with blue and black pigments, experienced marked degradation, while, after coating application, samples demonstrated improved chromatic stability, hydrophobicity, and adhesion. Importantly, all coatings were fully removable via enzymatic cleaning with α-amylase, confirming their reversibility. This research highlights the potential of chitosan-based biocomposites as conservation materials for non-traditional artworks and contributes to developing tailored, reversible strategies for contemporary art preservation. Full article

Different academic disciplines approach the concept of materials from varying perspectives, and exploring these diverse interpretations can reveal new avenues for creative expression. While scientific analysis offers important insights into the transformation of materials, artistic and humanistic frameworks provide complementary lenses that enrich our understanding. In the context of artistic creation, the intentional and thoughtful use of materials is crucial, often producing unexpected and profound effects that engage audiences on multiple levels. The deep connection between artists and their materials is fundamental for preserving and transmitting cultural values. As the exploration of material transformation within art continues to evolve, it opens up a wealth of creative opportunities. However, significant challenges remain, particularly in evaluating whether transformed artworks truly resonate with audiences and in developing robust criteria for assessing the process of material transformation. This study tackles these challenges by employing a two-phase evaluation framework, focusing on four pairs of paintings reinterpreted as ceramic artworks, with feedback gathered from 389 online participants. The results demonstrate that artworks crafted from diverse materials are accessible to a wide range of viewers, providing valuable insights into the artistic process and broadening perspectives on material usage in art. While artistic creation remains a subjective endeavor, future research should aim to identify consistent patterns in audience reception and further explore the expressive potential of various materials in artistic practice. Full article

Cultural heritage preservation and dissemination face significant challenges in the digital era, particularly in artifact representation, visitor experience personalization, and virtual exploration scalability. This paper presents a tool for the development of a virtual museum, introducing a new system that addresses the challenges of the design and arrangement of the virtual environment process with two integrated stages: (1) Museum Generator, a procedural tool for creating realistic and adaptable virtual museum environments and (2) Artwork Arrangement, an automated system that optimizes the placement of artifacts based on thematic and spatial considerations. The system is validated through a Grid Search Method experiment that seeks to identify the combination of genetic operators that maximizes performance in arranging artworks in a virtual museum and evaluate how modifications to these operators affect the performance of different evolutionary executions. Results indicate that the proposed approach provides an effective and scalable solution for contributing to the design and arrangement of a virtual environment for museums, fostering greater accessibility to cultural heritage and delivering personalized visitor experiences. Full article

The development of advanced diagnostics tools for investigating artworks and monitoring their health state in a non-destructive way is a key point for their preservation and restoration. Non-invasive diagnostic approaches enable the identification of damage often hidden to restorers’ naked eyes, thereby facilitating the planning of appropriate restoration interventions. Here, the combined use of three full-field imaging techniques: shearography, thermography, and structured-light 3D scanning, has been employed as complementary tools for the diagnostics of a panel painting. As a case study, the artwork Consegna della regola Francescana, created by the Neapolitan painter Colantonio around 1445, was analyzed. The integrated application of the mentioned optical imaging techniques allows a comprehensive evaluation of the state of conservation of the work, revealing inserts, nails, and detachments. This synergistic approach also enhanced the interpretation of the results from each individual technique, offering a more complete understanding that would be unattainable with any single method alone. Full article

Wooden panel paintings (WPPs) are among the most significant historical artworks that must be preserved for future generations. Ensuring their long-term conservation requires a comprehensive characterization of their condition, making monitoring an essential process. Thus, the primary objective of this study is to provide a comprehensive overview of the current techniques employed to study support deformations in WPPs, categorizing them into localized and full-field methods. Specifically, we provide information about linear potentiometric transducers, the Deformometric Kit, and Fiber Bragg Grating sensors as techniques that provide information about specific and isolated points on the artwork’s surface. On the other hand, digital image correlation, stereo-correlation, mark-tracking, 3D modeling techniques, and the moiré method, are discussed as techniques that analyze the entire surface or a significant part of the artwork. Each method has advantages and limitations, depending on the type of monitoring needed and the desired information. Nevertheless, these techniques contribute to understanding the behavior of the artworks’ materials under environmental fluctuations or restoration interventions, aiding the development of targeted and effective conservation strategies. Furthermore, this study seeks to evaluate the effectiveness of these methods in various conservation contexts and offers practical guidelines to assist conservators and researchers in selecting the most appropriate approach to support the long-term conservation of these invaluable historical artworks. Full article

Museums play a vital role in preserving cultural heritage and for this reason, they require strict indoor environmental controls. Balancing indoor environmental quality with reduced energy consumption poses significant challenges. Over the course of a year (2023), indoor microclimate conditions, atmospheric pollutant concentrations (O₃, TVOC, CO, CO₂, particulate matter), and energy use were monitored at the Archaeological Museum of Kavala. Maximum daily fluctuations in relative humidity were 15% in summertime, while air temperature variations reached 2.0 °C, highlighting unstable microclimatic conditions. Particulate matter was the primary threat to the preservation of artworks, followed by indoor O₃ and NO₂, whose concentrations exceeded recommended limits for cultural conservation. In 2023, the Energy Use Intensity (EUI) was 86.1 kWh m⁻², a value that is significantly correlated with the number of visitors and the outdoor air temperature. Every person visiting the museum was assigned an average of 7.7 kWh of energy. During the hottest days and when the museum was crowded, the maximum amount of energy was consumed. Over the past decade (2013–2023), the lowest EUI was recorded during the COVID-19 pandemic at 53 kWh m⁻². Energy consumption is linked to indoor environmental quality; thus, both must be continuously monitored. Full article

The digital transformation of the GLAM (galleries, libraries, archives, and museums) sector is a multifaceted process that must address a range of requirements and critical challenges, such as traceability, long-term preservation, and sustainability. The potential of disruptive technologies to revolutionize this sector is significant, offering new ways to overcome these challenges and align with the broader objectives of smart cities. While substantial research has been conducted on the digital transformation of the GLAM sector, many opportunities remain unexplored by various stakeholders. This paper contributes to the field by proposing a reference architecture rooted in a design-oriented approach for developing and implementing processes related to the digital transformation within the context of smart cities. To illustrate the practical application of the proposed architecture, a proof of concept was developed in the form of an immersive digital gallery, which features an AI-powered virtual storyteller. The gallery, built using the open, cross-platform, Unreal, incorporates digitized physical art and a virtual metahuman tutor who guides users through the gallery. This interactive 3D environment enables users to explore the space, engage with artworks, and interact with a virtual guide. The environment’s performance was evaluated using a keystroke-level model analysis. Key findings from a pilot study involving 10 users showed that, when directed by the AI storyteller, the average time to locate an artwork was 16.5 s, while the average time to ask a question was 15.8 s. By integrating such technologies, the GLAM sector can contribute to the cultural fabric of smart cities, fostering more sustainable, accessible, and interactive public spaces. Full article

This study aims to explore the application of artificial intelligence (AI) technology in the preservation and exhibition of artworks, with the “Exhibition Environment Status Detection Device and System” and the “Automatic Exhibition Guide System”, developed by Cheng Shiu University, as case studies. In recent years, AI technology has made significant advancements in image recognition, machine learning, and data analysis, which provide new opportunities for art management. However, due to high costs and implementation challenges, as well as a lack of qualified personnel to use these tools and systems, small art galleries and museums have not yet had the opportunity to acquire such systems. Therefore, this study observes the practical application of the “Exhibition Environment Status Detection Device and System” and the “Automatic Exhibition Guide System” in the fields of art preservation and exhibition. The study employs case study and observation methods, with participatory observation as the primary data collection approach. The results indicate that AI technology significantly enhances the preservation conditions of artworks and the interactivity of exhibitions. The paper suggests that future efforts should focus on long-term planning relating to technology costs and professional talent development to fully realize the potential of AI in art management and exhibition. Additionally, the application of these technologies can be extended to other fields. Full article

This article examines how water content is a crucial parameter for the preservation of wooden artworks and buildings, focusing on non-invasive ways of measuring water content through capacitive methods. A personalized, low-cost probe to measure the dielectric properties of oak and poplar wood at various water content levels and frequencies is described. The accuracy of the probe is confirmed by testing it with reference materials like air, PTFE, PLA, glass and Bakelite, demonstrating an accuracy error below 2%. Next, the probe is used to evaluate the relationship between water content and permittivity, indicating possible uses in conservation projects. Measurements were conducted on two types of wood, poplar and oak, at five varying levels of water content. The dielectric permittivity between 10 and 100 kHz was assessed. Using the vertical shift from the single interpolant of the dataset, a graduation curve was estimated. Finally, an R² = 0.98 value demonstrates that a sigmoidal function reflects the relationship between the percentage water content and the permittivity of materials. Full article

Paper-based artworks are prone to natural aging processes driven by chemical and biological processes. Numerous treatments have been developed to mitigate deterioration and prevent irreversible damage. In this study, we investigated the use of poly(acrylic acid)/TiO₂ composite hydrogels, combining their cleaning and protective functions in a minimally invasive treatment. Hydrogels allow for controlled water flow and photocatalytic TiO₂ nanoparticles enhance the hydrogel’s efficacy by enabling the removal of oxidation products and inactivating biological contaminants. Furthermore, this innovative material can act as a protective coating against UV-induced aging, preserving both color and stability of the paper. Raman spectroscopy and confocal laser scanning microscopy imaging techniques were employed to evaluate the treatments, allowing for us to differentiate between hydrolytic and oxidative aging processes. Our findings demonstrate that papers coated with poly(acrylic acid)/TiO₂ composite hydrogels exhibit significant reductions in oxidative markers, an enhanced color stability, and an overall improved resistance to degradation compared to uncoated samples. Full article