Search Results (4)

Costume restoration is one of the important ways to study costume history and culture. The purpose of this paper is to show the characteristics of Chinese costumes more than 1000 years ago, through the research on the costume in the famous ancient Chinese painting DaoLian painting, and provide strong technical support for the research of Chinese ancient costume culture. DaoLian painting is the work of Xuan Zhang, a famous painter in Tang dynasty (618–907), China. From the perspective of clothing engineering, we analyzed the characteristics of costume style, color, and pattern and used the virtual fitting technology to realize digital restoration of the costume of 12 characters in the painting. The results show that it is a practical method to study costume from paintings. The colors, patterns, and character gestures in the paintings provide sufficient information for the archaeology and restoration of ancient costumes. The research results of this paper can provide a new idea for costume archaeology and a reference for modern fashion design and materials for the VR Museum of Ancient Costumes. Full article

Spring Outing Painting of Madam Guo is one of the representative works of Zhang Xuan, a famous Chinese court painter of the Tang dynasty (618–907), who was the “leader” of the trend of figure painting in the Tang dynasty and had a great influence on later figure painting. The costumes of the characters in the paintings not only show the artistic aesthetics of the prosperous Tang dynasty, but also reflect the rich cultural connotation. At present, the research on this painting is mainly about character discrimination and painting appreciation. There are few studies involving the costumes in this painting. With the rapid development of digital clothing technology, it provides a new way and path for the restoration of ancient costumes. Based on the costume archaeology of Spring Outing Painting of Madam Guo, this paper uses 3D virtual simulation and reverse engineering technology to restore the costume style of the characters in the picture, realize the digital restoration and protection of the style drawing, paper pattern, and 3D simulation drawing of the characters’ costumes in the picture. Finally, we introduce the fuzzy analytic hierarchy process (FAHP) to comprehensively evaluate the costume restoration effect. Our proposed method solves the problem of the constraints of time and space on the presentation of ancient traditional costumes, promotes the excellent historical culture of China, and provides a certain reference for the modern redesign of ancient costumes. Full article

In 1972, the Plain Unlined Silk Gauze Gown unearthed from the Mawangdui Han Dynasty tomb in Changsha, Hunan Province, China, received attention from various fields such as archeology, cultural relics conservation, textile and costume because of its light texture and exquisite craftsmanship. However, due to it being unearthed decades ago and imperfect preservation measures being used, it has been increasingly damaged by the influence of the external environment. Therefore, there is an urgent need to carry out archeology, restoration and protection of the Plain Unlined Silk Gauze Gown. In this paper, the Plain Unlined Silk Gauze Gown is taken as the research object, and the costume pattern is obtained through 3D interactive pattern-making technology. Then virtual simulation technology is used to digitally restore the Plain Unlined Silk Gauze Gown in combination with the fabric, color and pattern of the costume. Finally, the Analytic Hierarchy Process (AHP) and the fuzzy comprehensive evaluation method are introduced to evaluate the virtual simulation effect of the costume. The results show that the virtual simulation effect of the Plain Unlined Silk Gauze Gown is very good. From the results of the costume restoration, the AHP captures the uncertainty in the process of costume virtual simulation evaluation, quantifies the judgments with weights, reduces the subjectivity of the evaluation process, and provides a scientific and effective method for evaluating the virtual simulation effect of ancient costumes. Full article

This paper takes the tomb murals as the research object, and realizes the development of the costume patterns of the Tang tomb murals and the 3D simulation restoration of the costumes through 3D interactive clothing pattern-making technology and virtual simulation technology. Firstly, the 3D garment model is constructed in the virtual environment according to the costume outline of the Tang Dynasty tomb mural costume. Then, the structural curves of the garment are drawn on the 3D garment according to the characteristics of the Tang Dynasty tomb mural garment style, the 3D surface is expanded and surrounded by these curves into the 2D garment plane, and the expanded surface is adjusted to obtain the 2D garment plane pattern. We use 3D virtual simulation technology to sew the patterns of Tang Dynasty tomb mural costumes and realize the virtual simulation restoration of Tang Dynasty tomb mural costumes. Finally, we create a fuzzy comprehensive evaluation of the restoration effect of the restored costumes. Compared with the traditional costume restoration methods, the method proposed in this paper reduces the technical requirements for operators in the restoration process without destroying cultural relics, and provides a new method for the rapid simulation and restoration of ancient Chinese costumes. Full article