Search Results (2)

The restoration of medieval wall paintings often involves the combination of heterogeneous techniques and materials considering their nature and period. One of the many obstacles in the study of the restoration of these types of artifacts is the paucity of sources that remain and the fragmentary nature of the paintings. As support, we can identify information about the modus operandi of the artists and artisans’ workshops that were active in the medieval period. Such information can be derived from important treatises-for example, Theophilus’ mid-12th-century treatise, the Diversarum artium Schedula, and chapter XV of Cennino Cennini’s Book of Art. These all coincide with the paintings presented in this paper, which represent the Virgo Lactans (or Madonna del Latte, Nursing Virgin) and a likely pre-existing figure of a praying woman. The investigated wall paintings are located in the porch of St. Andrew’s church, situated in the neighborhood of Pianoscarano (Viterbo, Central Italy). The historical context and the execution technique of the paintings were carefully studied, supported by a diagnostic and analytical campaign carried out by means of hypercolorimetric multispectral imaging, spot X-ray fluorescence spectroscopy using a portable instrument, Fourier transform infrared spectroscopy, and cross-section analysis. These analyses allowed us to characterize the original materials, the stratigraphic sequence of the paintings, and the previous interventions applied to the paintings’ layers, giving relevant data to support the recently concluded restoration. Full article

Because of the transgression of the first woman Eve, all medieval women bore the punishment, including the biological consequences related to pregnancy and birth. This affected the entire female gender, according to Judeo-Christian tradition. Although Mary was able to avoid some biological consequences, this was not the case with breastfeeding. This work aims to study sacred images—and especially those of the Nursing Mary—from an interdisciplinary point of view, by delving into rather unconventional sources such as medical treatises, whose perception of the female body may have influenced the creation and reception of certain iconographic types of the Virgin. Full article