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Keywords = Naked Lunch

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10 pages, 236 KiB  
Article
Baboons, Centipedes, and Lemurs: Becoming-Animal from Queer to Ghost of Chance
by Alexander Greiffenstern
Humanities 2021, 10(1), 51; https://doi.org/10.3390/h10010051 - 15 Mar 2021
Viewed by 3185
Abstract
The paper establishes a connection between the becoming-writer of Burroughs, who found his calling and style during the 1950s and his signature characteristic of becoming-animal. This can first be observed in Queer, where Burroughs develops his so-called routine; a short sketch-like text [...] Read more.
The paper establishes a connection between the becoming-writer of Burroughs, who found his calling and style during the 1950s and his signature characteristic of becoming-animal. This can first be observed in Queer, where Burroughs develops his so-called routine; a short sketch-like text that often involves instances of metamorphosis or transformation. The theoretical background for this short form and the term becoming-animal is taken from Deleuze’s and Guattari’s book on Kafka, who also worked best in short texts and frequently wrote about animals. “The Composite City” may be the central text to understanding Burroughs’ work. It is the text where Burroughs found his style and his identity as a writer. Becoming-animal is a logical consequence that further develops Burroughs’ aesthetic ideal. Over the following decades, he experimented with it in different forms, and toward the end of his career, it became part of an environmental turn. In Ghost of Chance, one can find the same aesthetic ideal that starts Burroughs’ writing in 1953, but the political implications have turned toward saving the lemurs of Madagascar. Full article
(This article belongs to the Special Issue Keep on Rolling Under the Stars: Green Readings on the Beat Generation)
10 pages, 227 KiB  
Article
The Dark Ecology of Naked Lunch
by George Hart
Humanities 2020, 9(4), 130; https://doi.org/10.3390/h9040130 - 30 Oct 2020
Cited by 2 | Viewed by 4223
Abstract
In this article, I argue that William S. Burroughs’ novel Naked Lunch engages in a “perverse aesthetics” that is analogous to Timothy Morton’s theory of dark ecology. The novel’s main themes of consumption and control are directly related to the Anthropocene’s twin disasters [...] Read more.
In this article, I argue that William S. Burroughs’ novel Naked Lunch engages in a “perverse aesthetics” that is analogous to Timothy Morton’s theory of dark ecology. The novel’s main themes of consumption and control are directly related to the Anthropocene’s twin disasters of global warming and mass extinction, and the trope for addiction, junk, reveals Burroughs’ deep analysis of the political and social forces that attempt to control life, what Burroughs calls biocontrol. By placing the novel’s obsession with hanging/lynching in the context of dark ecology, its critique of racism can also be seen as a critique of speciesism. Full article
(This article belongs to the Special Issue Keep on Rolling Under the Stars: Green Readings on the Beat Generation)
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