Search Results (2)

Listening to sabad kīrtan (sung scriptural verse) is a core, everyday, widespread, and loved worship practice of Sikhs around the globe. Thus, it would be fair to state that sounding is central to Sikh worship. Indeed, the Sikh scripture considers kīrtan to be an eminent mode of devotion. Yet, the ultimate aim of this sonic practice is to sense the “unsounded” vibration—anhad—and thereby the divine and divine ethical virtues. Based on a close reading of Sikh sacred texts and ethnographic research, and drawing on the analytic of transduction, the paper explicates the embodied vibratory dimensions of the (unsounded) anhad and (sounded) sabad kīrtan. It argues that the central purpose of the Sikh (un)sounding perceptual practice is embodied ethical attunement for an unmediated experience of the divine and divine ethical virtues, and thereby the development of an ethical life. At the intersection of music, sound, religious, and philosophical studies, the analysis reveals the centrality of the body in worship and ethical development, and contributes to interdisciplinary conversations on sensory epistemologies in faith traditions. Full article

While music plays a significant role in many of the world’s religions, it is in the Hindu religion that one finds one of the closest bonds between music and religious experience extending for millennia. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. The Upanishads articulated OM as Śabda-Brahman, the Sound-Absolute that became the object of meditation in Yoga. First described by Bharata in the Nātya-Śāstra as a sacred art with reference to Rasa (emotional states), ancient music or Sangīta was a vehicle of liberation (Mokṣa) founded in the worship of deities such as Brahmā, Vishnu, Śiva, and Goddess Sarasvatī. Medieval Tantra and music texts introduced the concept of Nāda-Brahman as the source of sacred music that was understood in terms of Rāgas, melodic formulas, and Tālas, rhythms, forming the basis of Indian music today. Nearly all genres of Indian music, whether the classical Dhrupad and Khayal, or the devotional Bhajan and Kīrtan, share a common theoretical and practical understanding, and are bound together in a mystical spirituality based on the experience of sacred sound. Drawing upon ancient and medieval texts and Bhakti traditions, this article describes how music enables Hindu religious experience in fundamental ways. By citing several examples from the modern Hindustani classical vocal tradition of Khayal, including text and audio/video weblinks, it is revealed how the classical songs contain the wisdom of Hinduism and provide a deeper appreciation of the many musical styles that currently permeate the Hindu and Yoga landscapes of the West. Full article