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Section Board for 'History of Arts'

Please see the section webpage for more information on this section.

Prof. Dr. Laurent Bavay
Assistant Professor, Chair of Egyptian Archaeology. Director of the Centre de Recherches en Archéologie et Patrimoine, Université libre de Bruxelles, 50, avenue F.D. Roosevelt - CP 175/01, 1050 Bruxelles, Belgium
Tel. +32 2 650 2523; Fax: +32 2 650 2467

Assoc. Prof. Dr. Ivan Gerát
Director, Institute of Art History, Dúbravská cesta 9, 841 04 Bratislava, Slovakia
Tel. +421 2 5479 3895; Fax: +421 2 5479 3895
Interests: medieval painting; iconography and iconology; pictorial hagiography; cultural history; visual culture studies; theory and methodology of art history
Contribution: Special Issue: Methodology of Art History

Dr. Dirk Huyge
Curator Prehistoric and Early Dynastic Egypt, Royal Museums of Art and History, Jubelpark/Parc du Cinquantenaire 10, B-1000 Brussels, Belgium
Tel. + 32 2 741.73.51; Fax: + 32 2 733.77.35
Interests: prehistoric art; rock art; prehistoric archaeology; egyptology; oceanic art; orientalist art

Prof. Dr. Volker M. Welter
Professor, History of Art & Architecture, Ellison Hall 2834, University of California, Santa Barbara, California 93106-7080, USA
Interests: californian architectural history; Western/European architectural history from the 19th century onwards; Zionist and Israeli architectural history; the modern city since the 19th century; history and theory of sustainable architecture; contemporary architecture and architectural criticism; modern architecture in relation to philosophical and sociological thought
Contribution: Special Issue: Sustainable Architecture

Prof. Dr. Annetta Alexandridis
Professor of Classical Art and Archaeology, Department of History of Art, Cornell University, GM 08 Goldwin Smith Hall, Ithaca, NY 14853, USA
Tel. +607 254 7263
Interests: ancient greek and roman art; humans and animals; archaeology and its media (photography, plaster casts); gender studies
Contribution: Special Issue: Archaeology and its Media

Prof. Dr. Jan Blanc
Professor of Early Modern Art History, Department of History of Art, University of Geneva, 24, rue Général-Dufour, CH-1211 Genève 4, Switzerland
Tel. +41 22 379 70 75; Fax: +41 22 379 74 40
Interests: Flemish and Dutch seventeenth-century art; early modern art theory; art, society and theories in British art (16th-18th c.); art and theory of art during the Italian and French sixteenth century; deconstruction of methods and commonplaces of the traditional art history; artistic theories et practices between 1400 and 1800; critical history of vision, image; connoisseurship; conception and genesis of the art work
Contribution: Special Issue: Acculturations

Prof. Dr. Sarah Burns
Ruth N. Halls Professor of Fine Arts, Professor of Art History Emerita, Department of History of Art, Indiana University Bloomington, IN 47405, USA
Tel. +812 855 2652; Fax: +812 855 7498
Interests: american (US) art of the 18th through early 20th century; history of photography; american architecture; decorative arts & crafts; social history of art; sex, gender; fashion and the body; race and representation; consumer culture; mass and popular visual media and ephemera including pulp art; advertising; illustration; caricature; comics and cartoons; kitsch; marginal artists; art and gothic horror

Dr. Philippe Colomban
Directeur de Recherche CNRS (DR1), Laboratoire de Dynamique, Interactions et Réactivité (LADIR umr 7075 CNRS), CNRS, Université Pierre et Marie Curie (UPMC Paris 6), c49 Bat F74-3e étage, 4 Place Jussieu 75252 PARIS Cedex 05, France
Tel. +331 4427 2785
Interests: development of (mobile/non-destructive) spectroscopies applied to Fine Arts

Dr. Phil. Roger Fayet
Director, Swiss Institute for Art Research, SIK-ISEA, Zollikerstrasse 32, Postfach 1124, CH-8032 Zürich, Switzerland
Tel. +41 44 388 51 51; Fax: +41 44 381 52 50
Interests: 18th to 20th century swiss painting; modernism; postmodernism; design history; aesthetic theory; aesthetics of violance; aesthetics of purity/impurity; museology

Prof. Dr. Maia Wellington Gahtan
Program Director and Professor of Museology, Lorenzo de' Medici - The Italian International Institute, Palazzo dello Strozzino, Piazza Strozzi 2, I-50123 Firenze, Italy
Tel. +39 55 287 203
Interests: classical tradition; renaissance studies; iconography; history of collecting; museums; early modern intellectual and cultural history; art theory and criticism

Prof. Dr. Pedro António Janeiro
Professor of Drawing and Archiectural Drawing at Faculty of Architecture, Technical University of Lisbon, Portugal
Tel. +351 91 9364581
Interests: drawing; theory of image; theory of architecture; history of architecture; aesthetics and phenomenology; arts in general

Prof. Dr. Miguel Ángel Medina Torres
Professor of Biochemistry and Molecular Biology, Department of Molecular Biology & Biochemistry, Faculty of Sciences, University of Málaga, E-29071 Málaga, Spain
Tel. +34 95 213 7132

Dr. Ian Verstegen
Director of Graduate Studies, Moore College of Art & Design, 20th and the Parkway, Philadelphia, PA 19103, USA
Tel. +215 965 8569; Fax: +215 568 8017
Interests: early modern art; art and psychology; perception; critical realism

Prof. Dr. Iain Boyd Whyte
VARIE Director, Visual Arts Research Institute, Edinburgh, School of Arts, Culture and Environment, University of Edinburgh, 20 Chambers Street, Edinburgh EH1 1JZ Scotland, UK
Tel. +44 131 650 2352
Interests: Nineteenth and twentieth-century American architectural history in Europe and North America, Architectural theory, Architecture and engineering, 1850 to present, Architecture and politics, Post-war reconstruction and urban theory, Film and architecture, Twentieth-century German art, Anglo-German literary relations, 1700 to the present, Visuality and cognition, Translation as cultural exchange

Prof. Dr. Christopher L.C.E. Witcombe
Professor of Art History, Head of Department, Sweet Briar College, 134 Chapel Road, Sweet Briar, VA 24595, Virginia, USA
Tel. +434 381 6194
Interests: renaissance art; baroque art; renaissance prints; renaissance copyright; archaeoaesthetics; vision and perception; human visual experience; vision science; neuropsychology; image studies; european art; european visual culture; mediterranean art; mediterranean visual culture; modernism; accademia di S. Luca; greek art; roman art; prehistoric art; images of women; feminism; Leonardo da Vinci; Mary Magdalen; sacred places; water

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