Arts — Section Editors

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Arts Editorial Office
MDPI AG, Klybeckstrasse 64, 4057 Basel, Switzerland
Tel. +41 61 683 77 34; Fax: +41 61 302 89 18

Section Editorial Boards

Arts Today

History of Arts

Arts and Society

Section Board for 'Arts Today'

Please see the section webpage for more information on this section.

Dr. Ellen Fallowfield
MDPI AG, Postfach, CH-4005 Basel, Switzerland. Office: Klybeckstrasse 64, 4057 Basel, Switzerland
Interests: contemporary music; performance practice of contemporary music for cello

Prof. Dr. Maria Fusco
Director of Art Writing, Goldsmiths, University of London, New Cross, London, SE14 6NW, UK
Tel. +44 20 7919 7685
Interests: experimental strategies for contemporary art writing; fictive, critical & theoretical writing; editing and independent publishing

Assoc. Prof. Dr. Ivan Gerát
Director, Institute of Art History, Dúbravská cesta 9, 841 04 Bratislava, Slovakia
Tel. +421 2 5479 3895; Fax: +421 2 5479 3895
Interests: medieval painting; iconography and iconology; pictorial hagiography; cultural history; visual culture studies; theory and methodology of art history
Contribution: Special Issue: Methodology of Art History

Prof. Dr. Volker M. Welter
Professor, History of Art & Architecture, Ellison Hall 2834, University of California, Santa Barbara, California 93106-7080, USA
Interests: californian architectural history; Western/European architectural history from the 19th century onwards; Zionist and Israeli architectural history; the modern city since the 19th century; history and theory of sustainable architecture; contemporary architecture and architectural criticism; modern architecture in relation to philosophical and sociological thought
Contribution: Special Issue: Sustainable Architecture

Prof. Dr. Sarah Burns
Ruth N. Halls Professor of Fine Arts, Professor of Art History Emerita, Department of History of Art, Indiana University Bloomington, IN 47405, USA
Tel. +812 855 2652; Fax: +812 855 7498
Interests: american (US) art of the 18th through early 20th century; history of photography; american architecture; decorative arts & crafts; social history of art; sex, gender; fashion and the body; race and representation; consumer culture; mass and popular visual media and ephemera including pulp art; advertising; illustration; caricature; comics and cartoons; kitsch; marginal artists; art and gothic horror

Prof. Dr. Martin Clayton
Head of Department in the Department of Music, Durham University, Palace Green, Durham DH1 3RL, UK
Tel. +44 0191 334 3151; Fax: +44 0191 334 3141

Dr. Phil. Roger Fayet
Director, Swiss Institute for Art Research, SIK-ISEA, Zollikerstrasse 32, Postfach 1124, CH-8032 Zürich, Switzerland
Tel. +41 44 388 51 51; Fax: +41 44 381 52 50
Interests: 18th to 20th century swiss painting; modernism; postmodernism; design history; aesthetic theory; aesthetics of violance; aesthetics of purity/impurity; museology

Prof. Dr. Pedro António Janeiro
Professor of Drawing and Archiectural Drawing at Faculty of Architecture, Technical University of Lisbon, Portugal
Tel. +351 91 9364581
Interests: drawing; theory of image; theory of architecture; history of architecture; aesthetics and phenomenology; arts in general

Prof. Dr. Amelia G. Jones
Professor and Grierson Chair in Visual Culture, Department of Art History and Communication Studies, McGill University, 853 Sherbrooke Street West, Arts Building, Room W285, Montreal Quebec H3A 2T6, Canada
Tel. +514 398 3628
Interests: contemporary and modern art; performance art / body art; feminism postcolonial and queer theory; visual culture of all kinds!; new media

Prof. Dr. Miguel Ángel Medina Torres
Professor of Biochemistry and Molecular Biology, Department of Molecular Biology & Biochemistry, Faculty of Sciences, University of Málaga, E-29071 Málaga, Spain
Tel. +34 95 213 7132

Prof. Dr. Tiziana Migliore
Professor Semiotics, Visual Semiotics, Contemporary Art Theory, Iuav - Venice, Faculty of Art and Design, Istituto delle Terese, Università Iuav di Venezia, Santa Croce 191 Tolentini, 30135 Venezia, Italy
Tel. +041 257 1807/1727; Fax: +041 522 3574
Interests: visual semiotics; linguistics; contemporary art theories; exhibition and museum studies
Contribution: Special Issue: Exhibition Studies

Dr. Alistair Riddell
Lecturer in Sound Art and Physical Computing, The Australian National University, Photography and Media Arts, School of Art, College of Arts and Social Sciences, Room 2.22. Peter Karmel Building #121, Childers St., The Australian National University, Canberra ACT 0200, Australia
Tel. +02 6125 5642; Fax: +02 6125 8262
Interests: physical computing in the creative arts and its potential future forms; music; performance and installation art
Contribution: Special Issue: Installation Art

Dr. Pierluigi Serraino
502 Lagunaria Lane, Alameda, California 94502, USA
Tel. +510 864 1259; Fax: +510 864 4030
Interests: post-war american architecture; california modernism; architectural photography; changes in architectural practice; digital design
Contribution: Topical Collection: Architectural Photography

Asst. Prof. Dr. Nathan J. Timpano
Assistant Professor of Art History, Department of Art and Art History, University of Miami, 302B Merrick Building, Coral Gables, FL 33146, USA
Tel. +305 284 4246
Interests: modern & contemporary art & theory: europe; the united states and latin america
Contribution: Special Issue: Contemporary Art 1989 to the Present

Dr. Ian Verstegen
Director of Graduate Studies, Moore College of Art & Design, 20th and the Parkway, Philadelphia, PA 19103, USA
Tel. +215 965 8569; Fax: +215 568 8017
Interests: early modern art; art and psychology; perception; critical realism

Prof. Dr. Iain Boyd Whyte
VARIE Director, Visual Arts Research Institute, Edinburgh, School of Arts, Culture and Environment, University of Edinburgh, 20 Chambers Street, Edinburgh EH1 1JZ Scotland, UK
Tel. +44 131 650 2352
Interests: Nineteenth and twentieth-century American architectural history in Europe and North America, Architectural theory, Architecture and engineering, 1850 to present, Architecture and politics, Post-war reconstruction and urban theory, Film and architecture, Twentieth-century German art, Anglo-German literary relations, 1700 to the present, Visuality and cognition, Translation as cultural exchange

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