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Proceedings 2017, 1(9), 960; doi:10.3390/proceedings1090960

New Images. Imagination in the Process of Aesthetic Practice—The Process of Collage

Visual Communication Institute, The Basel School of Design HGK FHNW, 4002 Basel, Switzerland
Presented at the International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology, Brixen, Italy, 27–28 November 2017.
Published: 13 November 2017
Download PDF [3683 KB, uploaded 15 November 2017]

Abstract

This paper provides a brief discussion of ideas taken from the history of Western thought on the topic of inventing the new. The aims of the Design Methods Movement of the 1960s are contraposed to an in-depth reading of concrete processes conducted in the context of practice-led iconic research. The distinction of imagination versus configuration leads to the second part of the paper, in which experimental arrangements are analyzed and their connection to a collective archive of images is established. In a third section, an artistic process of developing painterly collages is evaluated in respect to its methodology of developing unseen images.
Keywords: new images; design process; imagination; configuration; collage; archive; image schema; practice-led iconic research new images; design process; imagination; configuration; collage; archive; image schema; practice-led iconic research
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Renner, M. New Images. Imagination in the Process of Aesthetic Practice—The Process of Collage. Proceedings 2017, 1, 960.

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