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Proceedings 2017, 1(9), 870; doi:10.3390/proceedings1090870

On the Idea of Montage as Form of Architecture Production

Facoltà di Architettura e Design sede Annunziata, Università di Camerino, viale delle Rimembranze, 63100 Ascoli Piceno, Italy
Presented at the International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology, Brixen, Italy, 27–28 November 2017.
Published: 28 November 2017
Download PDF [920 KB, uploaded 28 November 2017]

Abstract

In my work montage takes on great importance because it is an operative tool, the medium, through which to interpret my personal archive, constructing the annotations that form an interpretative Atlas of the real. Montage is the ordering principle that helps me to construct annotations. These annotations have to be hospitable, they have to encourage viewing and establish a relationship with the observer. It is important to establish a visual dialogue between the space one wants to represent, the idea that attempts to give it form and the context one tries to construct as the background. An ability to recreate a measurable space, a precise geometric structure, must be demonstrated. Which does not shape but structures the space. I see montage as a principle of order, rather than just a technique of assembly. Montage is the perfect tool to produce architectural ideas.
Keywords: montage; atlas; memory; archive; time; architecture; form montage; atlas; memory; archive; time; architecture; form
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).

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Galofaro, L. On the Idea of Montage as Form of Architecture Production. Proceedings 2017, 1, 870.

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